olivia_sutton: (Woman Blog)
This was posted to my movie review blog on 22 August 2012.  Remember my movie reviews get posted on blogger first.
  • Title:  Spaceballs
  • Director:  Mel Brooks
  • Date:  1987
  • Studio:  MGM
  • Genre:  Comedy
  • Cast:  Bill Pullman, Daphne Zuniga, John Candy, Rick Moranis, Mel Brooks, Dick Van Patten, George Wyner, Joan Rivers
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC

"You idiots!  These are not them!  You've captured their stunt doubles!" -- Spaceball Officer

"Preparing ship for Metamorphosis, sir."  -- Col. Sanders
"Good, get on with it."  -- President Skroob
"Ready, Kafka." -- Dark Helmet

Spaceballs is a bit disappointing for a Mel Brooks film.  The best moments are the tiny references to other classic films, and most of the Star Wars references don't quite work.  There's also a lot of juvenile humor in the film.  One of  the more successful things in the film is the use of music, for example when the extremely long Spaceballs ship is first seen at the beginning of the film, theJaws theme is heard. Later, when Lone Star and company crashland in the desert, the theme to Lawrence of Arabia is heard.

The film opens with the Spaceballs plotting to steal the air from the peaceful planet of  Druidia.  Over population, huge city complexes, and the complete destruction of nature and industrialization of the planet have used up the air on Planet Spaceball.  Meanwhile, on Druidia, Princess Vespa is to be married to Prince Valium, who is as boring as his name suggests.  Vespa, wisely runs away from her own wedding.

Vespa is caught by the Spaceballs, and King Roland, her father, offers to pay one million Spacebucks to Lone Star.  Lone Star needs the money to pay off Pizza the Hutt, a notorious gangster.  Pizza the Hutt is a disgusting character.  Lone Star flies through space in his Winnebago, with his best friend, Barf, a "Mog", half-man/half-dog character played by John Candy.

Lone Star succeeds in rescuing the princess and escaping the Spaceballs, but runs out of gas and crash lands on a desert planet.  They are rescued by "Dinks" who appear to the Seven Dwarfs music from Snow White. The dinks bring Lone Star, Dot Matrix (the princess's personal droid), Princess Vespa, and Barf to a secret temple, where they meet Yogurt, practitioner of  The Swartz.  The scene where the four approach the huge statute of Yogurt, terrified, is reminiscent of  The Wizard of Oz.

The transformed Spaceballs ship, which had turned into a gigantic maid, starts to remove the air from Druidia, but Lone Star uses the power of  the Swartz to reverse the air flow, then he flies into the ship, finds the self-destruct and destroys it.  The head and arm land on another planet, where two apes on horses are disgusted by the Spaceballs claiming out of  it's nose.  Yes, it's a reference to the original Planet of  The Apes.

Soon, Lone Star takes Vespa and Dot back to planet Druidia.  Once again, Vespa is ready to be married.  She, however, has doubts when she's told by her father than Lone Star turned down the one million spacebucks.  At the last minute, Lone Star arrives and he and Vespa are married.

A constant joke throughout the film pokes fun at Star Wars merchandise, as nearly everything is "Spaceballs the _____ blank", where blank is the actual item, such as "Spaceballs the towel", etc.  This joke gets old quickly and is over used.  Another slightly funnier joke, that's still used a lot, is not only is there a "Mr. Coffee" but also a "Mr. RADAR", etc.  And several characters, especially among the Spaceballs, talk to the audience and break the fourth wall.

Overall, not the best of  Brooks' films by a long shot, but it still has some very funny moments.  If  the leads had been Gene Wilder and Madeline Kahn the film may have been much more funny, but that wasn't possible.

Recommendation:  Eh, see or not, doesn't much matter
Rating:  3 out of 5 Stars
Next Film:  Spider-man

olivia_sutton: (Woman Blog)
Originally posted to my movie review blog on 5 March 2012.
  • Title:  Robin Hood Men in Tights
  • Director:  Mel Brooks
  • Date:  1993
  • Studio:  Columbia / Tri-Star
  • Genre:  Comedy
  • Cast:  Cary Elwes, Richard Lewis, Amy Yasbeck, Tracey Ullman, Megan Cavanagh
  • Cameo Cast:  Patrick Stewart, Dom DeLuise, Dick Van Patten, Mel Brooks
  • Format:  Color, Widescreen
  • DVD Format:  R2, PAL


"Let me introduce you to my best friend, Will Scarlett." -- Little John
"Scarlett is my middle name.  My full name is Will Scarlett o'Hara. ... We're from Georgia." -- Will

"And why should the people listen to you?" -- Prince John
"Because, unlike some Robin Hoods, I can speak with an English accent."  -- Robin

"We're men, we're men in tights.  Tight, tights!
Always on guard, defending the people's rights.
When  you're in a fix, just call for the men in tights."  -- "Men in Tights", song and dance number (Cast)

Robin Hood:  Men in Tights came out as a parody of  Kevin Costner's Robin Hood:  Prince of  Thieves, but actually also parodies the classic 1938Adventures of Robin Hood starring Errol Flynn.  There are also some references to the ITV series, Robin of  Sherwood (aka Robin Hood - the one starring Michael Praed and Jason Connery).  But with a new Robin Hood film in theaters (Starring Russell Crowe, and directed by Ridley Scott) and a new Robin Hood TV series (starring Jonas Armstrong and Richard Armitage) - this parody actually almost seems to work better now than when it was originally released.  Some references no longer really work, but Cary Elwes is the perfect Robin Hood.

In this version of the tale, Robin is captured in the Holy Land during the Crusades, and thrown in a dungeon.  There he meets Asneeze, who help him get free.  The two lead a revolt freeing all the prisoners.  Thankful to be freed, Robin promises to look up and help Asneeze's son, Achoo, when he arrives in England.  In England, Robin finds his family's castle being repossessed and the local villages being burned.  He vows to rescue England from tyranny.  Soon he's put together a merry band:  Achoo, Blinkin (Robin's family's blind servent), Little John, and Will Scarlett.  In a parody of  Flynn's Robin Hood, Elwes' Robin brings a wild boar (rather than deer) to Prince John's feast.  He sees Marion, and they fall for each other.  After a fight with John's men, Robin, rescued by his men returns to the forest and begins training the villagers.  Also, in a scene straight from The Adventures of  Robin Hood, John decides to lure Robin into a trap with an archery contest.  As in the Flynn film, Robin arrives at the archery contest, dressed as an old man.  But it is John's archer who splits Robin's arrow.  Shocked, Robin checks the script to see -- and discovers he gets another shot.  He uses a patriot target-seeking arrow, and blows up the another arrow.  Robin is captured and John threatens to hang Robin, if Marion doesn't marry him.  She's about to do it, when Achoo saves the day, shooting Robin loose from the hangman's noose.  King Richard (Patrick Stewart) arrives and knights Robin.  Robin and Marion are "quickly married" by Rabbi Tuckman (Mel Brooks), and start their new life.  Robin appoints Achoo the new sheriff of Rottingham.  At first the villagers protest, "A black sheriff?"  But Achoo responds, "Why not - it worked in Blazing Saddles," -- why do I get the feeling Brooks was waiting the entire film to use that line?

Elwes has a pencil mustache, like Flynn's from The Adventures of  Robin Hood, and the costumes are also vintage the 1938 movie.  Several scenes from the 1938 film are also parodied, notably Robin bringing the deer/boar into the Prince's feast, and the archery contest scene.  Also, Robin has a habit of starting long speeches - which quickly bore his audience.  In one, he starts, sounding like Flynn, and ends, sounding like Churchill.

From Robin of  Sherwood - we get the opening sequence of  the flaming arrows being shot from English longbows (in silhouette).  Also, the character of  Achoo, seems to be drawn from Nazzar, though he's a lot more chatty.

But, Robin's jibe that, "at least I can speak with an English accent," is aimed straight at Kevin Cosner - who's really awful accent (and inability to do one) was a major problem in Prince of  Theives.  Unfortunately, though Elwes does an English accent perfectly -- most of  the rest of  the cast is American and sounds it.  The worst is Richard Lewis, who just does a bad job as Prince John.  (What is it with Prince John, anyway?  Nobody seems to get him right!  I swear, Doctor Who had the best Prince John I've seen in the story "The King's Demons").  But yeah, Robin Hood should definitely not sound like he comes from Iowa, and that was the trouble with Cosner's film.

However, though funny in parts, and filled with some excellent honest-to-goodness sword-fighting scenes, this isn't the classic Mel Brooks of  The ProducersBlazing Saddles, or Young Frankenstein.  I did like that it drew on all the Robin Hoods to date, and, again, with two new Robin Hoods out there, it's worth watching again, but overall a bit disappointing for Mel Brooks.

There is a lot of  excellent music in the film -- the Robin Hood Rap is fun, the title number of  We're Men, We're Men in Tights, is hilarious, and evenMarion's Theme is quite sweet.

Yes, I do have an R2 version of  this film.  I couldn't find an US/ R1 / NTSC version anywhere when I bought it.  However, you can now find the film as part of  the boxed set of  Brook's films.

Recommendation: It's OK, but not stellar.
Rating: 3 out of 5 Stars
Next Film: Roman Holiday

olivia_sutton: (Woman Blog)

My internet connection is down so I’m writing this off-line and will post when I can.
Review of “The Producers” (watched on 2/19/2011).
2/20/2012 6:51 PM

·         Title:  The Producers
·         Director:  Mel Brooks
·         Date:  1968
·         Studio:  Embassy Pictures / MGM
·         Genre:  Comedy, Musical
·         Cast:  Zero Mostel, Gene Wilder, Dick Shawn, Kenneth Mars, Lee Meredith, Christopher Hewlett, Andreas Voulsinas
·         Format:  Color, Widescreen
·         DVD Format:  R1, NTSC

"It's amazing, it's absolutely amazing, but under the right circumstances a producer could make more money with a flop than with a hit!"-- Leo

"But if we get caught, we'll go to prison." – Leo
"You think you're not in a prison now?  Living in a grey little room, going to a grey little job, leading a grey little life?"  -- Max

"Leo, how much percentage of a play can there be altogether?"  -- Max
"Max, you can only sell 100 percent of anything."  -- Leo
"And how much of 'Springtime for Hitler' have we sold?" – Max
"Twenty-five thousand percent." – Leo

Mel Brooks' first comedy film, The Producers, is a tour-de-force.  It's laugh-out-loud funny from beginning to end.  The film is so over-the-top and so funny that what could have easily been a very offensive movie is instead a true comedy classic.   The film first introduces Max Biaylystock (Zero Mostel) – a failing Broadway producer who has gone from running six hit shows simultaneously, to having nothing but a run of failures.  The only way he can find investors now, is by seducing little old ladies for checks made out to "cash".  Leo Bloom (Gene Wilder in only his second film ever) is a mild-mannered accountant.  One day, he's sent to go over Max's books and walks in on him playing sex games with an 80-year-old.  To say that Leo is shocked is an under-statement.  But soon Max gets the old lady to leave, and Leo enters the producer's office.  This opening scene between Max and Leo is hilarious – and sets a slightly surreal, out there, quality for the entire film.

In doing the books, Leo discovers a simple accounting error – Max raised $2000 dollars extra for his last play and never invested it in the play or returned the profit to his investors.  This, Leo points out is fraud.  Max convinces Leo to not turn him in.  The Leo has a lightbulb moment, and innocently says that a producer could make more money with a flop than a hit.  The rest of the film is about the two trying to do just that – produce a flop, and keep all the extra money they've raised from their investors.

Leo, being an honest accountant, though a bit neurotic (his reaction when Max takes his "blue blanket" is screen perfection – as is his breakdown in hysterics slightly later when Max threatens him), so Max must convince Leo to do it.  Max seduces Leo with a day in the park, like an extended date, and it really is Max's kindness that convinces Leo what the heck – he wants everything.

Once he has Leo on board, they must find a play.  And they do – "Springtime for Hitler – a gay romp with Adolph and Eva".  They locate the author, the slightly insane German, Franz Liebkind (Kenneth Mars), and buy the play.  Then Max goes to raise money from his little old lady brigade – in a wonderful montage sequence.  Next, it's casting.  The cattle call for Hitler,is both similar to "A Chorus Line" or the opening of "All that Jazz" (tho' it pre-dates both films, but posssibly not the play of "A Chorus Line") and is quite funny.  But it's the audition of Lorenzo St Dubois (Or "LSD") that is brilliant.  Not only is Dick Shawn's performance brilliant, but the song, "Love Power" and the choreography of the audition, with LDS's band, is priceless.  (Another 60s moment is Max's new Swedish secretary (Lee Meredith) – who speaks no English, and when told to "Go to Work" turns on the record player and starts Go-Go Dancing.)

Soon it is opening night.  Remember – Max and Leo want the play to tank.  The play, "Springtime for Hitler" opens with the big broadway production number, that includes everything:  a parade of beautiful chorus girls in elaborate German-style outfits (including beer steins or preztels on the girls boobs – simply hilarious), a rockets-style section in black leather, and a Bugsy Berkley style overhead shot.  Oh – and the columns turn into cannons that fire at the audience.  The number has to be seen to be believed and is SO over the top, (and SO bad) that no description can do it justice.  Audience members are, of course, shocked, and some even walk out.  Max and Leo go over to a nearby restaurant, to drink and celebrate.

Then LSD takes to the stage as Hitler – and before long the audience is laughing hilariously!  That Franz is in the audience and takes this as an affront adds to the choas – especially when he runs on-stage and is hit over the head, something the audience assumes is part of the play.

Much to the shock of Max and Leo – the play is a hit!  They then decide to blow up the theatre, and end up in court.  Leo actually gives a pretty moving speech defending Max and their friendship.  Soon Max and Leo are behind bars, selling percentages of a new play, Prisoners of Love, to the inmates, and rehearsing.

What makes Brooks' The Producers so funny is in the execution.  Merely writing, or reading, a plot summary just doesn't do the film justice – especially the production number, and any scene with LSD.  Shawn is simply inspired.  But all the actors give the performances of their lives in this – which is why it remains one of Brooks best films.

It goes without saying, but I suppose I must, that Mel Brooks is Jewish.  And he himself has said on numerous occasions, that the way to deal with despots isn't in giving speechs, or using rhetoric or psychology – it's in ridicule and poking fun at them.  The film caught some flak when it was made, but it did  quickly win over it's sophisticated audience once people realised the joke.  And, also, the film is very witty and has a lot of faster-paced dialogue and less reliant on sight-gags than many of Brooks' more recent films (tho' the production number has both sight gags and witty dialogue).  Again, one of Brooks' best films, highly recommended.

Recommendation:  See it!
Rating:  5 of 5 Stars
Next Film:  The Purple Rose of Cairo

olivia_sutton: (Default)
  • Title:  Blazing Saddles
  • Director:  Mel Brooks
  • Date:  1974
  • Studio:  Warner Brothers
  • Genre:  Comedy
  • Cast:  Cleavon Little, Gene Wilder, Madeline Kahn, Slim Pickens, Alex Karras, Mel Brooks, John Hillerman, Harvey Korman, Dom DeLuise
  • Format:  Widescreen, Technicolor
  • DVD Format:  R1, NTSC (Double-sided, Widescreen/Standard)
Mel Brooks is a Jewish writer/producer/director who had a lot of experience with Broadway before moving to Hollywood to make parodies of  famous Hollywood genre pictures.  However, many of  his comedies have become more famous or at least as famous as the movies he pokes fun of.  But he has the Jewish sense of  humor of  poking fun at something that frightens or angers you.  Keep that in mind when watching this film.  Also, it's a 70s movie and thus was able to get away with things that a movie made today probably wouldn't.

That said, Blazing Saddles is a hilarious, laugh out loud movie, with a fantastic cast.  Cleavon Little is the lead, a Black man who goes from being nearly a slave on the railroad, to being nearly hung, to suddenly being the newly appointed sheriff of Rock Ridge - a quaint Western town.  However, the towns-people don't accept him right away, and once they do (after he and the washed-up Pecos Kid (Gene Wilder) save the town) he leaves.

However, that really simplifies this movie that is just chock full of puns, silly humor, sight gags, clever wordplay, great performances (Who can forget Madeline Kahn  as the lisping German bombshell Lily Von Shuppt?), and even theater in-jokes?  The film, with all it's humor, also is the story of  Bart's (Little) fight to be accepted, and a great friendship between him and the Kid (Wilder) who immediately takes a shine to him.

The film also plays with breaking the fourth wall, as characters stop the action to address the audience, and the film concludes with a fist fight that breaks into the studio lot and the Bugsy Berkley -style musical (directed by Dom DeLuise) filming next door.  Brooks also has a fairly large role (rather than his usual cameo) in this film, as the corrupt governor as well as an Indian (Native American) chief  in Bart's flashback.

This film also has a kick-ass theme song ("He rode a Blazing Saddle...") with music by John Morris and Lyrics by Mel Brooks sung by Frankie Laine, as well as other numbers with music and lyrics by Mel Brooks, including Lily's "I'm Tired", "The Ballad of Rock Ridge", and the musical number at the end, "The French Mistake".

Recommendation:  See it, if  you haven't already.  Tho' I would not recommend it for young children, simply because of the language.
Rating:  4
Next film:  The Blues Brothers

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