olivia_sutton: (British Accents)
This, and all my Farscape reviews, was previously published on my Tumblr.

Farscape_PKwars_DVDcvr



























Wormhole weapons - the only way to win, is not to play.

Title:  Farscape The Peacekeeper Wars
Format:  Miniseries (241 minutes) 2-DVD set
Cast:  Ben Browder, Claudia Black, Anthony Simcoe, Wayne Pygram, Gigi Edgley, Paul Goddard
Creative Team:  Rockne S. O’Bannon, Jim Henson Productions (Brian Henson)

I actually watched the entire mini-series two nights in a row, all the way through.  It seems the original production was a two-night event, on the DVD it’s edited into a single long movie, which is fine.

The first time I watched this, I was on the edge of my seat the entire time.  Not only because it’s a very intense, action-packed mini-series, but because I honestly expected them to “Blake’s 7” the show, in other words, I expected all the main characters to die, especially John Crichton.

The second time through I was able to enjoy the story more, knowing that, despite even the hints dropped during the mini-series itself, that John would survive.

The mini-series opens two months after the last episode of Season 4, with Rygel swimming underwater picking up something in his mouth.  It turns out what he is doing is capturing the bits and pieces of John and Aeryn from the ocean floor.  I loved seeing Rygel in his element so to speak, and his swimming was rather elegant.  John and Aeryn are quickly re-assembled.  They are fine, but to her shock Aeryn is no longer pregnant.  It’s quickly discovered that Rygel is now carrying Aeryn and John’s baby.  The Hynerian will do so until after the first quad-mester and the large enough baby can be transferred to Aeryn.

Aeryn and John decide to get married by the priestess on the non-quite uninhabited water planet, only to have the ceremony interrupted.  This will be a theme, as their wedding on Moya with Rygel officiating is also interrupted when the Leviathan is attacked.

Things happen.  Essentially, the Scarrans and Peacekeepers are now at all-out war with each other.  The natives of the water planet are the descendants of a famous race of peace-making diplomats, who have lost their genetic ability to influence people into a state of calm and rationality.  John agrees to ferry two of these people to the temple planet (from Season 4’s “What Was Lost”).  They are attacked en route, and “reunited” with Scorpius and Sikozu (sporting a new “punk” haircut). Moya, damaged, manages to get to the temple.  At the temple, they are reunited with Jool, and it’s John who convinces the 1200-year-old diplomatic race to train the guy from the other planet, so he, in turn, can train his people.

However, a Scarran vessel turns up.  The ship destroys the temple, including Jool.  John, Aeryn, Rygel, Stark,  the head priest/diplomat from the temple, the acolyte from the other planet, and the acolyte’s guard, as well as Sikozu and Scorpius are taken prisoner by the Scarrans.  The Scarrans want John’s wormhole weapons knowledge, and hold the pregnant Rygel (as well as Aeryn and the others) hostage against John.

Meanwhile, D’Argo and Chiana are in D’argo’s invisible spaceship.  Chiana, who had been blinded at the end of Season 4, has had her eyes replaced, with a few upgrades.  She’s able to read energy signatures on the ship and tell D’Argo how to disable it.

John, knowing the threat to his unborn child (and Rygel’s life) is real, and fearing for Aeryn, and with no place to turn after the Scarrans have killed the head priest, finds he has no choice.  He takes the Scarran in his module down the wormhole to meet the ancient alien, “Einstein”, who still looks like Simon Pegg”s “Editor” in the Doctor Who episode, “The Long Game”.  The Scarran is convinced that John can sense and navigate wormholes, even cause them to appear, but he cannot create a worm-hole weapon, and to do so would be a really bad idea.

The Scarrans meanwhile, destroy D’Argo’s ship.  The Scarran general’s chief assistant and war minister, meanwhile intends to kill Rygel.  The general and John return just in time to prevent it.  Aeryn tells John D’Argo and Chiana are dead.  The Scarrans attempt to kill everyone, flooding the room they are being held in with deadly gas, while Rygel’s to the point in his pregnancy that the embryo needs to be transferred to Aeryn or he’ll die.  Sizozu creates an explosion so they can escape, as a group of Luxans arrive to attack the Scarran vessel, having rescued D’Argo and Chiana.  The Luxan attack squad is headed by Jothee, D’Argo’s son, who is now a military commander.

Everyone is rescued.  Stark is more bonkers than normal from having absorbed the high priest’s essence.  They return to Moya and high-tail it back to the water planet, because John and the others know that the Peacekeepers and Scarrans know of the location of the planet, and it’s a target.

Arriving at the planet, a major battle ensues.  Braca is there with a few troops, though most of his men have been killed.  The Luxan assault force is there. Moya’s crew lands, with the intent of rescuing the diplomatic race and trying to end the war.  Aeryn’s child has been transferred to her from Rygel successfully.

On the planet, in the midst of the  chaos, John and Aeryn are finally married by Stark while Aeryn is in labor.  The child is born in the midst of a battle.  D’Argo is stabbed with a pike, and, dying, agrees to cover the retreat.  With some help from Jothee (who’s primary, and successful mission was to rescue as many of the descendant-race diplomat-priests as possible), and Moya (who is finally recovered, after a time on the seabed under repair) John’s crew escape the planet, with some of the diplomat-priests.

Arriving on Moya, in command, John sees the wormhole weapon device. He had gone down a wormhole a second time, and obtained the knowledge necessary to build it.  And he had discussed it with Pilot.  Though Pilot had many misgivings, and sounded like he was going to say “no”, he had changed his mind and had the DRDs construct the device while John and Aeryn were planetside.

John sends out a message, giving the Scarrans and the Peacekeepers one last chance to make peace.  The Scarrans and Peacekeepers instead continue to fire intensely at each other.  John ignites the weapon, which produces an expontentially-growing Black Hole.  The hole’s gravity captures and destroys everything close enough to be caught in the gravity well, and as it grows, doubling each time, that gravity well also increases in size.  The planet below is destroyed, ripped apart by gravity.  John points out, Moya is next, then each of the battle fleets, and who knows what next - the galaxy, the universe?  The Scarrans and Peacekeepers stand down.  John gets them to agree to have the diplomat-priests broker a lasting accord, which they do.  He goes back into his machine to reverse the black hole.  He succeeds but collapses, looking like he’s dead.

However, Aeryn brings their child to Crichton, where his “body” lies on a bed, Crichton wakes.  He and Aeryn have a formal naming ceremony for their child, looking out among the stars, and name the boy, “D’Argo Sun Crichton”.

The Peacekeeper Wars is really busy and intense.  It’s obviously a compressed version of what Season 5 would have been.  However, the story also works.  Surprisingly, the second time around, I caught a certain amount of foreshadowing that I didn’t even notice the first time.  That means the foreshadowing was used correctly - it prepares you for what’s going to happen, without spoiling the fun.  The only obvious “spoilers” or “foreshadowing” was Aeryn and later Crichton’s voice-overs, which clarify the plot.  But the subtler ones really work.

The action scenes are very intense - which often means character suffers.  And, though, there would have been more character-stuff in a full 22-episode season (or even a shorter season of 16 or 13 episodes) the mini-series still works.  When D’Argo’s ship was destroyed and D’Argo and Chiana were assumed dead — I believed it.  I was expecting everyone to die anyway, so I believed it.  And that scene, Aeryn’s reaction to it, and later John’s reaction when Aeryn tells him what’s happened, is no less intense when you know that at that point D’Argo isn’t really dead and Chiana survives ‘til the end.

One of the most difficult plot points for the story to sell is John actually triggering the wormhole weapon device.  Yet, when he does, it’s totally believable.  John’s rant on how everyone - Scorpius, Rygel, the Peacekeepers, the Scarrans, wanted the weapon - is brilliantly played by Browder.

And Aeryn and John’s attempts to get married, which are finally finished with Stark marrying them while Aeryn gives birth is beautiful (as is Aeryn’s water birth of her son, and Crichton’s pure joy at becoming a father).  Though, for their story, I think the naming scene… with their child being told the stars are his playground, and John saying that he hopes that his child will never know war was the most beautiful scene in the mini-series.

I enjoyed the mini-series very much.  I think they did an incredible writing and editing job to get a season’s worth of material in to between three/four hours.  All of the cast were terrific as always, especially Ben Browder and Claudia Black.  There were references to events, people, and characters from throughout the four years of Farscape, which I felt were there for the fans, but they worked and didn’t stand out like a sore thumb, the way “inside” references sometimes can.  The only person I would have liked to see or at least referenced was John’s father, Jack.  But other than that tiny detail, I loved the mini-series, it was really well-done, and it gave a satisfying conclusion to the Farscape television series.

olivia_sutton: (British Accents)
FarscapeS4

Title:  Farscape Season 4
Format:  ADV Video  (22 eps, 10 DVDs)
Cast:  Ben Browder, Claudia Black, Gigi Edgley, Anthony Simcoe, Wayne Pygram
Creative Team:  Rockne S. O’Bannon, Henson Productions (Brian Henson)

Season Four of Farscape starts off a bit slow, Claudia Black isn’t in the first four episodes, and she’s sorely missed.  Also, the first half of the season felt very disconnected, as if they were producing left-over episodes from previous seasons, perhaps slightly re-written to fit the current cast.  But all that changes with “Unrealized Reality” and the season is a rocketing steam train from that point on.

Jool is dropped early in the season, fortunately.  I never liked her.  Actually, she’s one of the most disagreeable fictional characters I’ve ever come across - whenever the character was in danger, I kept hoping she’d die.  The screaming was just too much.

She’s replaced with a character, Sikozu, who at first seems a toned-down version of Jool.  She has red hair; she’s smart with plenty of “book-learning”, but unlike Jool - she has practical skills too.  She doesn’t just tell Moya’s crew she’s an expert in Leviathans and in medicine - she shows it, which puts her miles above Jool.  However, she also gets her own storyline, which sneaks up on you and proves fascinating.

The season really picks up with “Unrealized Reality”, where John falls down a wormhole and meets an ancient alien who looks like Simon Pegg in the Doctor Who episode, “The Long Game”.  This alien taught The Ancients about wormholes, and is trying to figure out what John knows, exactly.  Over the course of their conversation, John learns that wormholes aren’t just short-cuts through space, they can lead to different times.  But if John were to travel to a different time, the repercussions could be catastrophic.  John “travels” to several alternate realities, each worse than the one before.  Finally, he learns that by concentrating - he can travel home.  Like Dorothy in The Wizard of Oz, he concentrates on home, and finds himself floating above Earth.  In “Kansas” - John discovers he’s arrived on Earth in 1986 - and he must prevent his father from being on the Challenger, while guaranteeing that his younger self will be positioned to create the Farscape Project.  In “Terra Firma” John and his crew arrive on Earth in 2003 and make the existence of aliens known.  Kent McCord again plays John’s father, but it’s not a flashback or an alien pretending to be Jack Crichton.  The scene at the end of “Terra Firma” when they say goodbye to each other was heart-breaking.

From that point on, the season really moves.  I’d say that the “Unrealized Reality” trilogy was one of the best of the series.  And once John and Moya’s crew are back in Tormented Space the series just moves like a freight train.  John finally admits to Aeryn why he’s been so cold to her.  He’s not angry at her - he’s protecting her from Scorpius who’s now traveling on Moya. Sikozu proves to be an agent working with Scorpius, though we’re still unsure of motivations of both characters.

In “Bringing Home the Beacon”, Moya’s crew tries to get a camouflage beacon for Moya to throw off the Scarrans and Peacekeepers pursuing them.  They get the beacon, but Aeryn is captured.  To rescue Aeryn, John and company must go directly into a Scarran base in Scarran space.  The final trilogy is awesome!  Definitely some of the best work of the series, and watching John become slightly unhinged is again some of Ben Browder’s best work.

In the final episode of the series, it opens with a montage of “previously on Farscape" that includes the entire four years in a few minutes (yeah, I need to re-watch that in slo-mo) and opens with Crichton’s voice, “Finally on Farscape…” which just tears into your heart.  John, knowing that the Scarrans now definitely know the location of Earth, and the Peacekeepers may know the location of Earth, decides to collapse the wormhole to Earth.  He, Pilot, and Aeryn, in one of Moya’s transport pods, travel to Earth.  John lands on the moon, and calls his father, leaving his tape recorder next to the American flag at Serenity base.  The conversation between John and his dad (again, Kent McCord) is incredible, heart-breaking, and made me cry.  John leaves, knowing he can’t ever go back to Earth or see his family again.  He, Aeryn and Pilot are to collapse the wormhole as they leave near-Earth space.

(SPOILERS) It works, and as everyone on Moya recovers (including Pilot who is now re-installed back in his den and reconnected to Moya, and the living ship herself) - John and Crichton are in a boat on a planet.  Aeryn finally tells John she’s pregnant, she’s OK,  and it’s his child.  John gives Aeryn his mother’s wedding ring, proposing marriage.  From Moya,  D’Argo is describing what he sees to a temporary-blind Chiana.  It’s Chiana who realizes that far from being angry, John has proposed to Aeryn.  Aeryn and John kiss and hold each other.  Then from nowhere a ship appears and blows them up (into a pile of little pieces).  D’Argo screams in agony.  And the series ends with “To Be Continued”.  It’s devastating.

Farscape really is a unique, well-made, incredible SF series.  It’s unique.  The aliens really look alien, in no small part due to the work of the Jim Henson Creature Shop and Brian Henson.  John Crichton is a point-of-view character for the entire series - we see this incredible journey through his eyes.  And, by the third season it’s like Alice in Wonderland, The Wizard of Oz, or Neverwhere - having landed in an incredible universe, John wants to go home.  Yet, when given that chance he chooses to stay with his friends on Moya, in no small part because he is in love with Aeryn and he feels a responsibility to his unborn son.  Aeryn and John’s relationship, builds during each season.  By the end of a season, they can say “I love you”, to each other.  Yet, something then happens to pull them apart, and the following season, they again need to find that sense of love and trust.  This is especially true in Seasons 3 and 4.  But both also deal with the death of the other.  At the end of Season 2 - Aeryn dies, and it’s a Scorpius-controlled John who kills her.  It’s Zhann who trades her life for Aeryn, bringing her back.  In Season 3, John Two (Talon John) dies in Aeryn’s arms - after they had fallen deeply in love.  Its no surprise that she can’t immediately accept John One - she even disappears for a while at the beginning of Season 4.  But Season 4 really picks-up as John and Aeryn begin to reconnect.  The saddest thing about the last five minutes of “Bad Timing”, is that John is finally, completely and totally happy.  He experiences a brief, shining moment of pure happiness - then is killed.  Aeryn too is happy, and in love.  So their story becomes a tragedy, which gives even more weight to the entire series.  The entire brilliant series.

My only regret is that I missed this show when it was on.  It’s still effective, brilliant, unique, fun, romantic, adventurous, and an incredible science fiction series.  And even ten years on, it doesn’t look dated - if anything, the filmed look is just gorgeous.  But it’s less fun to watch a show like this in a vacuum.  Highly recommended!

olivia_sutton: (Primeval)
farscape_3

Title:  Farscape Season 3
Format:  22 episodes on 10 discs (ADV Video)
Cast:  Ben Browder, Claudia Black, Anthony Simcoe, Gigi Edgley, Paul Goddard, Lani Tupu, Wayne Pygram
Creative Team:  Rockne S. O’Bannon, Jim Henson Productions (Brian Henson)

I enjoyed Season 3 of Farscape more than Season 2.  Captain Bylar Crais, Stark, and Scorpius have all been promoted to regulars.  Zhann is quickly killed off (to heal Aeryn, who “died” at the end of last Season). Most of this season is split into two distinct plot threads, as we now have ten (depending on how you count them) regular characters.  In the zombie episode, “Eat Me”, Chiana, D’Argo, and John are cloned, twinned, or doubled by a mad scientist to provide zombie food.  The extra Chiana and D’Argo are killed, but when they finally escape the Leviathan of the  Living Dead — it’s with two Johns.  One John stays aboard Moya with D’Argo, Chiana, and a new character called Jewel.

The other John joins Aeryn, Crais, and Rygel aboard Talon.  ”Eat Me” was a really gross and disgusting episode that I could barely watch - but then, I don’t like zombie movies.  However, it also serves only a single purpose - producing a duplicate of John.  The episode ends with both Johns playing rock-paper-scissors and always throwing the same thing.

I preferred the Talon episodes for two reasons - they were the more dramatic episodes, and I’m a sucker for drama and melodrama.  But I also really liked Capt. Crais.  You saw a lot of growth in his character, from a man in Season 1 who only wanted revenge on John (for an accident no less) to a man willing to sacrifice himself by the end of the season.  Crais was a complicated character and you really did not know which way he’d jump, what he really wanted, or what he’d do.  You could never completely trust Crais, but honestly, on Farscape - you could never completely trust anyone.  I loved the character development for Bylar Crais.  Like Aeryn, once outside the Peacekeeper sphere of influence (and likely brainwashing and propaganda) Crais began to think for himself and chose his own  path.

The Moya episodes tended to be silly.  Yes, they were the comic relief following the dramatic episodes in the Talon storyline, but I felt they went overboard.  ”Scratch-and-Sniff” felt like something written after the writer had had a few too many Pina Coladas.  Or, like someone’s explanation of Spring Break.  Essentially, John has to explain to Pilot, who’s now acting like an exasperated parent, just how he got himself and D’Argo banned from a pleasure planet.  I just thought it didn’t quite measure up to Farscape standards.  ”Revenging Angel” or John Challenges Scorpius in Looney Tunes Land, was probably novel at the time it aired (tho’ the “Jessica Rabbit” comment indicates the creative team knew about Who Framed Roger Rabbit) but it didn’t work for me. I just thought some of those episodes, especially “Scratch ‘N’ Sniff” and “Revenging Angel” went overboard in the humor and had characters, especially D’Argo acting out of character.

Also - I couldn’t stand Jewel.  Or screaming girl, which was about the only thing she could do.  Every time she got in the least bit of danger, I didn’t feel any sympathy for her at all - I wanted her to get killed off.  Which is not something you want for a major character.

I really liked “Infinite Possiblities” parts 1 and 2, because finally, John (or John 2 — the one aboard Talon) gets everything he wants:  Aeryn’s in love with him and even willing to go with him to Earth if he can find a wormhole, he’s destroyed the Scorpius clone in his head, and he’s figured out the wormhole equations.  So, what happens to John 2?  He dies of course.  The death scene is marvelous, and I loved that Aeryn was with him.  I also thought Rygel’s funeral for John was beautiful, but it’s the nature of the show that once John gets everything… he dies.  And Aeryn is in such shock after the death of “her John” she can’t accept the other Crichton on Moya.

After John 2’s death, all the characters re-connect.  Stark, who disappears again after “Infinite Possibilities”, leaves a message for John 1 (Moya John) from John 2 (Talon John); the message is dying Talon John warns Moya John about wormhole weapons.  But the last thing he does is throw rock-paper-scissors.  Moya John does the same thing.  The throws are different.  This suggests that although the two started from the same place, they are now different people.

The combined crew quickly form a new plan, to assault and destroy Scorpius’s command carrier, so that Wormhole Technology cannot be used as a weapon.  You know this won’t go well, right?  They do manage to destroy the ship.  They do so in such a way that the majority of the 50,000 men, women, and children aboard can escape, abandon ship and survive.  Crais and a now suddenly-mad Talon (that was introduced too quickly) sacrifice themselves to destroy the command carrier.  All of Scorpius’s wormhole data is destroyed.  It was unclear to me if Scorpius died or not.  It’s suggested he did - but he also seems to always return, so I wouldn’t bet on it.

After the successful assault, everyone is seriously ready to split up.  D’Argo wants to go back to the Luxans to warn them not  to ally themselves with the Peacekeepers.  Chiana wants to find her brother and the Nibari resistance.  Rygel wants to try to take back his throne as Dominar.  Aeryn, unable to face a double of her lover, just wants to leave.  And even John, thinking he might now be able to figure out wormholes, wants to return to Earth.  They decide they will help Moya take Talon's remains to the Leviathan burial space, then split up.

The last episode of Season 3, “Dog with Two Bones”, felt rushed and confused.  Suddenly, there’s a mysterious witch or shaman on Moya, who’s messing with John’s head.  This John’s head is pretty busy, because Scorpius’s neural clone is still there. Moya’s attacked by another Leviathan, without a pilot, so that takes up much of the episode.  Aeryn in her new prowler, and John and D’Argo in his Luxan ship attack and easily destroy the mad Leviathan, which disappears.  Somehow, I expect that plot line will be revisited (or at least I hope so).  However, at the end, John, almost out of fuel, in his Farscape module, is still trying to figure out what to do.  A wormhole appears and sucks in Moya.  Aeryn’s already gone in her prowler.  And John is left, sitting alone, in his low on fuel capsule, drifting by himself in space.

Technically, for Season 3, it seemed they decided to film two episodes simultaneously - the Talon episode and the Moya episode.  This gave everyone time off except Ben Browder who played two characters - and Lani Tupu, who played both the voice of Pilot and Capt Crais, tho’ the dubbing of Pilot’s voice may have been done in separate post-filming blocks.  The “making of” featurette on the Farscape Season 1 set, suggested that during filming Rygel was voiced by the puppeteer, and Jonathan Hardy dubbed in the voice later.  I’d guess the same thing was true for Lani Tupu and pilot.  It must of been exhausting for Browder - but then, he’d been the point of view character for this show for three years.

Overall, I really liked Season 3.  It was especially successful on DVD.  When I watch a TV series on DVD it’s like reading a book, and the individual episodes are chapters.  Well, with a structure like this, with one episode following one set of characters, and the next episode following a different set of characters, it was like reading a book that flips between different settings and characters - I wanted to know what was happening to everyone so I read, or in this case, watched it faster, normally four or five episodes a day.  That’s a lot of Farscape.  But I liked it.

Oh, and the creatures were back!  Yeah, for the interesting, different, and unique creatures!

olivia_sutton: (Sherlock)
This was also originally posted to my Tumblr.

Farscape_S2_boxset

Farscape Season 2
ADV Video Releases
10 Discs / 22 Episodes in set
Cast:  Ben Browder, Claudia Black, Anthony Simcoe, Virginia Hey, Gigi Edgley


I didn’t enjoy the second season of Farscape as much as the first; however, there were some excellent episodes.  I’ll discuss what I didn’t like first, then get on to the specifics of what I liked.  Whereas in the first season, John Crichton had been a scientist and explorer, someone who’s innate curiosity often allowed him to see situations differently than the rest of the beings on Moya, in the second season, John is much closer to becoming just another soldier.  No longer wearing parts of his IASA uniform, John now dresses like a Peacekeeper.  And as good as Ben Browder looked in the floor-length black duster, by halfway through the season - I wanted the old John back.  There are also far less creatures in season two, and more humans, or human-like aliens. I missed the creatures!

However, I did really like “Look to the Princess” — John’s willingness to sacrifice everything because of the situation was refreshing, and showed his, I hesitate to say moral, but his moral thinking and upbringing.  When he’s told an entire star-system’s well-being depends on him marrying the princess - he does so.  And when he finds out he’s the father of the princess’s child (thru’ in-vitro fertilization, basically) he’s willing to give up everything and be frozen for 80 years to raise his daughter.  However, the re-set button is pushed (Crichton won’t survive the freezing process again).

The four-episode finale’ — “Liars, Guns, & Money” parts 1-3 and “Die Me, Dichotomy”, were truly, truly, awesome.  And, it explained why Crichton had been acting so strange throughout the entire season.  Crichton was slowly going insane due to a neural chip implanted in his head by Scorpius.  Scorpius being a half-Scarran/half-Sabacean hybrid who is, himself, obsessed with obtaining “worm hole technology” from John.  The problem is, John accidentally fell through the worm-hole.  Though he has some theoretical knowledge of the subject - he truly doesn’t understand worm-holes, and he certainly can’t control them.  It’s a bit like asking Dorothy to re-produce a tornado on the spot.

However, I’d challenge anybody who thinks Ben Browder isn’t a good actor to watch the end of Season 2 of Farscape. Browder has the ability to play a man who is truly going insane without overacting or making fun of the character.  It’s something to watch.

I have the ADV DVD version of Farscape.  The DVDs for the most part only put two episodes per disc.  This is annoying — I’m used to three or four.  Also, for the last set, the episodes are out of sequence on the discs.  I watched “Die Me, Dichtomy” before “Liars, Guns, & Money” and was extremely confused — I ended up having to re-watch it in it’s proper sequence as the last episode in the season.  Also, stretching the show to ten discs takes up a lot of space (especially in the double-wide cases).  I ended-up re-packaging the discs in slim-line cases, but the more compact season 1 is a much better design, and still protects the discs.  OTOH, I received sets 2-4 as a gift from a friend, so I can’t really complain.  I’d just recommend not buying this version, but rather the more compact “complete season 2” version.

Overall, since the season both explained John’s odd behavior, and ended on a cliff-hanger leading into season three, even with the changes from season 1, I still think Farscape is an unusual, highly watchable, and excellent series.

Recommended!

olivia_sutton: (Primeval)
This was originally published on my Tumblr, one year ago.

FarscapeDVD_cvrS1


  • Series:  Farscape

  • Season: 1

  • Format:  DVD

  • Creative Team:  Rockne S. O’Bannon, Brian Henson, Henson Productions

  • Cast:  Ben Browder, Claudia Black, Virginia Hey, Anthony Simcoe

Farscape was a series that frustrated me to no end when it originally aired, running first in first-run syndication, where it was impossible to find, and later on the Sci-Fi channel (which I didn’t have access to at the time), Farscape was a show I wanted to watch but couldn’t.  Farscape also had bad luck for it’s first DVD release - it was sold by episode, not by season set.  This made the show prohibitively expensive to buy - and collecting it would also take up too much space.  In short, the only series I’m willing to buy that way is original (classic) Doctor Who - and that only because the original stories were movie length.


Farscape is one of the most unique SF programs I’ve seen.  The only analogies I can compare it to are: Blake’s 7 and a role-playing adventure game like D&D but set in space.  Like Blake’s 7, the characters are all fugitives, throw together, who don’t trust each other - and may even sell each other out for the right price/motivation.  Like a adventure game, the characters are a priest, a warrior, a thief/deposed king, a warrior/romantic interest, and The New Guy (tm), however, the setting isn’t medieval Europe, or a hidden cave system, but deep, deep space.

In the pilot, John Crichton, an astronaut and scientist is performing an experiment in Earth’s orbit in a one-man capsule.  It goes horribly wrong, and John is shot through a worm-hole.  He’s picked up by a living ship, called Moya, with it’s convict crew who are in the midst of an escape attempt.  John’s shot up with translator microbes allowing him to understand his very strange, alien shipmates.  His shipmates include:  D’Argo — a Lexan Warrior, who’s still young for his species, although at first he seems the tough “shoot first” type, later he turns out to have a heart and to be completely innocent of his accused crime of murder.  Zhaan is a priestess, though her encounter with Moya’s crew is already turning her down a darker, more violent path.  Zhaan is also a living, breathing, thinking, talking plant - who’s bright blue.  Rygel the 16th, Dominar, is a deposed despot and thief - he’s also small and green, and normally gets around on a floating throne chair.  Though he looks Yoda-like and cute — he can be a nasty bugger.  Pilot is built into the ship and pilots Moya - translating between the ship’s needs and the crew’s commands.  Finally, Officer Aeryn Sun looks Human but she is a Sabacean, and a Peace-keeper (law officer).  In the pilot, she’s accused of desertion and “irreversible contamination” and has  no choice but to join John and Moya’s crew of escaped prisoners.  At first the others see Aeryn as an enemy (they all were, after all, at some point, all prisoners of the peacekeepers), but Aeryn proves her mettle and loyalty.

Farscape has a very unique look, in part because of the work of the Jim Henson creature shop (run by Brian Henson).  The aliens, both regulars and the many varied guest creatures are very different.  This show does not, like Star Trek or Stargate, merely stick funny ears or a funky face mask on an actor - and call them alien.  The aliens all look very different and have different reactions to things.  Aeryn is extremely sensitive to heat - prolonged exposure can even produce ‘the living death”, a condition of mental debilitation like Alzhiemers.  Zhaan is a living plant - who even experiences “photogasms” when exposed to high levels of radiation or sunlight.  These types of examples make the universe of Farscape feel strange and alien.

John Crichton, in the first season, is shown to be a scientist, not only with the ability to figure things out or build stuff, but with an intense curiosity about the new world he finds himself in.  Where one or more of his shipmates might want to shoot something, John often asks questions and tries to figure out what something that looks like an alien or monster might want.  He has, in a strange way, a “Doctor-ish” quality.

Overall, I enjoyed the first season of this show that I missed the first time around.

olivia_sutton: (British Accents)

Title: Framed
Cast: Trevor Eve, Eve Myles
BBC
Masterpiece Contemporary (PBS)

Framed is a wonderful story, filmed in gorgeous Welsh countryside. When the National Gallery in London is flooded, curator Quentin Lester proposes temporarily moving the paintings to a cave in Northern Wales, just as they were during World War II during the London Blitz. Upon arriving in Wales, Quentin in thrown into a completely alien world. Always more at home with priceless works of art than people, the characters of the town pull Quentin out of his shell. And as he realizes that art is to be shared not hidden away, and shared with everyone – rich or poor, Quentin's perspective changes. From the strange butcher who's inspired by an Impressionist painting to re-open the town's lake-side park, to a pair of ancient sisters who discover the "worthless" painting they own is actually a priceless one that went missing the last time the paintings were stored in the town – everyone is changed. Quentin begins to fall for the beautiful, clever, and enigmatic schoolteacher played by Eve Myles. In the end, not only are the townspeople changed but so is Quentin.

During the painting's exile, one painting a month was shipped back to London. There Londoners would queue up to see one painting, one masterpiece. After the Gallery is cleaned, dried, and repaired, the paintings are shipped back. However, Quentin is instrumental in starting a new program – he has one painting a month moved to the town in Wales and displayed for the people to see – in different venues around the town. Quentin Lester, a man who once stated that art was "for those who can appreciate it", has come to realize that art is for anybody and for all. That beauty is something that anyone – rich or poor, from urban areas or the countryside, young or old can appreciate. And, really, since they rarely see such treasures, the folks of the town are more appreciative than the bored school children on field trips in the city.

Framed is filmed in Wales, and the scenery is breath-takingly beautiful. Every outdoor scene is simply gorgeous – the mountains, hills, clouds, sky and everything is incredible. I loved the shades of green and grey everywhere. Definitely, something that makes one want to visit Wales.

olivia_sutton: (Woman Blog)
  • Title:  Stardust
  • Director:  Matthew Vaughn
  • Date:  2007
  • Studio:  Paramount Pictures
  • Genre:  Fantasy, Romance, Comedy
  • Cast:  Claire Danes, Charlie Cox, Michelle Pfeiffer, Robert DeNiro, Mark Strong, Peter O'Toole, Ricky Gervais
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC 

"Nothing says romance like the gift of a kidnapped, injured woman!" -- Yvaine

"I admire you dreaming.  Shop boy like me, I could never have imagined an adventure this big in order to have wished for it."  -- Tristan

"You know when I said I knew little about love?  Well, that wasn't true.  I know a lot about love, I've seen it.  I've seen centuries and centuries of  it. And it was the only thing that made watching your world bearable.  All those wars.  Pain and lies.  Hate. Made me want to turn away and never look down again.  But to see the way that mankind loves...  I mean, you could search the furthest reaches of the universe and never find anything more beautiful."  -- Yvaine

Stardust reminds me of  The Princess Bride, at times.  It is a very funny, enjoyable fantasy film, filled with romance in both senses of the word.  The film begins in the Victorian village of  Wall, so named because of the brick wall separating the town from the nearby forest.  Part of  the wall has a hole in it, it's fallen down, and this place is guarded day and night - no one crosses the wall.

One day a young man, out for adventure, crosses the wall.  There he meets a young woman, slave to a female merchant.  The young woman tells him she  is a princess, tricked to be slave to a witch.  He cuts the silver cord binding her to the merchant's wagon, but the cord grows back and re-seals itself.  The young man and the woman spend the night together, and the young man returns to Wall.

Nine months later, a baby appears on the now older man's doorstep.  The story skips ahead again, and the baby is now a young man, Tristan.  Tristan is not a very successful young man in the traditional sense, but he works in a local shop and has fallen for Victoria.  His rival for Victoria's hand is Humphrey, an upper-class fop, but nevertheless someone Victoria sees as a better catch.  Tristan convinces Victoria to go with him on a picnic.  He treats her to champagne (a new experience for Victoria) and rich foods.  Tristan tries to convince Victoria to accept his hand in marriage.  Learning that Humphrey is going "all the way to Ipswich" to buy Victoria a ring, Tristan vows to go to London to make his fortune. Then a star falls.  Tristan tells Victoria he will bring her the star, to win her hand.

Later, Tristan talks to his father, who tells him of  his true origins, gives him a letter from his mother, which is wrapped in a candle.  The letter says the "fastest way to travel is by candlelight".  Father and son light the candle and Tristan disappears.

Tristan lands in a crater.  At the center of  the crater is a beautiful blond woman, Yvaine, the star.  Tristan ties her to him with the piece of magical cord that was also in the baby basket, and intends to bring her back to Wall.  They begin to have a series of  adventures.

Meanwhile, the King of  Stormhold (the magical kingdom beyond Wall) is dying.  He has seven sons, but three are already dead.  A fourth is killed, as the King deactivates his royal ruby necklace and throws it out the palace window.  It was this necklace that knocked Yvaine out of  the sky, and which she found and placed around her neck.  The ghosts of  the dead princes, form a "peanut gallery" making comment and even fun of  the actions of the living remaining princes.  The princes are also all named by their number:  Primus, Secundus, Tertius, et cetera all the way to Septimus.  Septimus (Mark Strong) quickly dispatches one brother, and then Secundus is killed by a wicked witch.  So it's Septimus who becomes the main villian, pursuing Tristan and Yvaine.

The other villains are three witches, who want to capture Yvaine and cut out her heart - for eating the heart of a star conveys eternal youth and life (though using magic uses up this "star power").  Lamia (Michelle Pfeiffer) is the witch who eats the last of  their previous star's heart, becoming youthful, and goes in search of Yvaine.  Each time she uses her magic, she loses some of  her youth and beauty... becoming old and wretched by the conclusion of  the film.

Thus Tristan and Yvaine are pursued by two groups:  Septimus because he wants his father's ruby necklace so he can become king, and Lamia because she wants Yvaine herself  to kill her for her heart.  Tristan thinks that he wants to bring Yvaine to Victoria, and thus win her heart with his gift.

The film thus follows the path of  each of  these three small groups.  And it is beautifully shot, in gorgeous countryside, with great costumes and sets, competent effects, and good storytelling.

After meeting a group of pirates, lead by Captain Shakespeare (Robert De Niro) and their flying galleon, which captures lightening to sell, Tristan and Yvaine fall in love.  They leave the ship, have more adventures, and finally reach an Inn near Wall.  They spend the night together at the Inn.  Tristan wakes early, the next day, cuts off a piece of  Yvaine's hair and goes to see Victoria in Wall.  He speaks with Victoria, gives her his gift, but she rejects it as "worthless".  Humphrey arrives, but Tristan scares him off  with the swordplay he learned from Capt. Shakespeare.  Victoria they opens her gift, but is dismayed that it's "mere stardust".  Tristan, who's already rejected Victoria because he loves Yvaine (he'd only gone there to lord it over her how successful he now was) realises that if  Yvaine follows him across the wall, she'll die.  He races back to stop her.  But everyone else is proceeding to the Wall too.  Septimus is there to take the ruby necklace from Yvaine.  Ditchwater Sal is there with her servant girl (who is really Tristan's mother and Septimus's sister), and Lamia is there as well.  Lamia attacks and kills Ditchwater Sal, freeing Tristan's mother, but she captures Yvaine (thus accidentally saving her life, because she does prevent her from crossing the wall).  Tristan arrives after the battle of  the two witches, as does Septimus, and they both head for the witches' palace.

There, in a fantastic battle, Septimus is killed by Lamia; but Lamia's two sisters are killed by Tristan.  Lamia uses Septimus's body as a sort of golem to fight Tristan.  Tristan finally manages to defeat him, frees Yvaine, and is nearly tricked and killed by Lamia.  However, his mother steps in, fills in Yvaine and Tristan as to who he is, and in the end, Lamia is defeated.  Tristan becomes the new king of Stronghold, with Yvaine ruling by his side.

Stardust is a wonderful film -- fun, imaginative (as one would expect since it's based on a Neil Gaiman novel), full of  humor, magic, close calls, escapes, etc.  The peanut gallery of the ghosts of  dead princes add a twisted, dark humor to the piece.  Again, the film is based on a novel by Neal Gaiman, so one would expect that.  All the actors are fantastic!  Robert De Niro plays decidedly against type, as a tough pirate captain, who is much happier helping Tristan and Yvaine to dress appropriately and teaching them both how to dance, and in Tristan's case how to sword fight.  He's very funny, yet sympathetic.  I highly recommend this film and I also think it's very appropriate for children (aged, oh, about 10 or 12 and up), yet enjoyable for adults.

Recommendation:  See it!
Rating:  Five out of  Five Stars
Next Film:  Star Trek (2009)

olivia_sutton: (Woman Blog)
This review was originally posted to my movie project blog, yesterday, 6 Sept. 2012.
  • Title:  Spiderman
  • Director:  Sam Raimi
  • Date:  2001
  • Studio:  Columbia (Marvel Productions)
  • Genre:  Fantasy, Action, Drama
  • Cast:  Tobey MaGuire, Kirsten Dunst, Willem DaFoe, Cliff Robertson, Bruce Campbell, Ted Raimi
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC


"Some spiders change colors to blend in with their environment, it's a defense mechanism." -- Peter Parker
"Peter, What makes you think I would want to know that?"  -- Harry Osborn
"Who wouldn't?" -- Peter Parker

"This guy, Flash Thompson, he probably deserved what happened, but just because you can beat him up, doesn't give you the right to.  Remember -- with great power, comes great responsibility." -- Uncle Ben

Peter Parker is painfully shy, and a bit of a nerd but he's also a talented photographer and has the mind of a scientist -- curious about the world and always wanting to know more.  He's being raised by his aunt and uncle, and no mention is made of  what became of  his parents - I assumed they were dead.  Mary Jane, or MJ, is the proverbial girl next door, who's harassed to the point of abuse by her father and boyfriend (MJ really doesn't know how to stand up for herself).

One fateful day, Peter's class, including MJ and Peter's extremely wealthy friend, Harry, are on a field trip to a New York City genetics lab, which has been working on combining genetic traits from different spiders to create a "super spider".  The spider gets loose and bites Peter.  Harry also starts talking to Mary Jane, at first to show Peter how easy it is -- later, because he likes her.

That evening, Peter feels sick, but the next day he wakes up with extraordinary spider powers.  He and Mary Jane talk briefly (he's bringing out the trash, she's escaping her abusive father) only to have MJ run off when her boyfriend Flash Thompson shows up with his new car which he received as a present.  Peter thinks of getting a car, and makes himself a simple costume so he can enter a wrestling match to win some money.  He wins, but the fight promoter cheats him out of  the majority of  his cash prize.  Just after Peter leaves the manager's office, another man rushes in and robs the guy at gunpoint.  Peter could have stopped the thief, but he lets him get away (in part because he's mad at the loss of  the prize money).  Later that night, Peter returns to the library where his Uncle Ben is supposed to pick him up and discovers Ben dying.  Peter, in his masked outfit, tracks his uncle's murderer -- it was the same man he let go.  Peter throws the man through a window and he falls several stories to his death.

But Peter, remembering Uncle Ben's words about responsibility, decides to become the crime-fighter Spiderman.  He's improved his costume, refined his techniques, graduated from high school, and moved to New York City with Harry.  MJ has also moved to New York, but her dreams of  becoming an actress have hit the harsh reality of  being a waitress, just to eat and pay rent.

Spiderman is introduced to New York by a montage of  scenes of  him stopping crime, and "man-on-the-street" interviews.  Eventually always cash-poor Peter Parker sees an ad in the Daily Bugle requesting pictures of  Spiderman.  Peter rigs an automatic shooting camera and sells his pics to Jameson, the Bugle's cigar-smoking editor.  He gets a $300 freelance fee.  Well, it's a start.

Meanwhile, Norman Osborn, Harry's father, is having troubles.  His company is about to lose a lucrative military contract.  Seeing no other choice, Norman tests the human enhancing formula on himself.  He nearly dies and it gives him a "split" personality -- turning him into the evil green goblin.  The Goblin bombs his company's rival, Quest, destroying their Ironman-like exoskeleton (not to mention several people who work there, a pilot, and the general who wanted to take away Oscorp's military contracts).  Upon returning, as himself, to Oscorp, Norman Osborn discovers his board is ready to sell the company to his rival and oust him as CEO.  Osborn goes bananas.

During the "World Unity Festival" the Green Goblin attacks, threatening and killing innocents as well as members of  the Oscorp board.  Spiderman arrives and tries to save as many people as possible (and he saves Mary Jane, who is now dating Harry Osborn).

Aunt May gets Harry, Norman, MJ, and Peter together at Harry and Peter's New York apartment for Thanksgiving.  It's a disaster.  Everyone nearly finds out who Peter is; Norman accuses MJ of  only being interested in Harry for his money; and MJ hears Norman's accusations and Harry's lack of  protests.  A good time is not had by all.  Shortly thereafter, the Green Goblin puts it together that Peter is Spiderman and attacks MJ and May.  Both survive but only just.

In the final conflict between Spiderman and Green Goblin, the Goblin gives Spidey a choice -- save MJ or save a tramcar full of  kids.  Spiderman manages to save both.  Goblin and Spidey fight.  Spidey loses half  his mask, Norman takes his off  and tries to convince Peter he's somehow not in control.  But, it's a trick -- Peter's Spidey-sense warns him in time and he moves out of  the way and the glider's spikes miss him.  Norman Osborn isn't so lucky, host by his own petard, he dies.

At the funeral, Harry blames Spiderman for his father's death, but promises to remain friends with Peter.  Mary Jane also tells Peter she loves him, but he tells her he only wants to be her friend.

For some reason, the first Spiderman film seemed better the first couple of  times I saw it, but in later viewings, including this one, I saw it's faults.  Going backwards through the film -- the scene between MJ and Peter at the cemetery seemed so fake that I almost expected Peter to wake-up and realize it was a dream.  Peter's pined after MJ since he met her (at the age of  six), yet when she tells him she's completely in love with him, he tells her "let's just be friends"?  Uh-huh, right.  And Mary Jane's throwing of  herself at Peter also didn't feel right.  Second, Jameson is a bit of  a cardboard/cartoony secondary villain -- sure, we know he only wants to sell papers, and painting Spiderman as a villain will do that -- but it makes no sense, given the evidence.  Third -- I have never bought Spiderman's origin story.  A bite from a genetically-enhanced spider would probably kill you from it's venom.  (Or a radioactive spider would give you cancer).  I really don't think it would transfer "spider powers" to a teenager.  But I can suspend disbelief on that, you often have to for superhero movies.

The performances, on the other hand, are good.  I liked Tobey McGuire's Peter Parker -- he made the nerdy photographer/science student seem real, as well as flawed.  Kristin Dunst did the best she could given how Mary Jane was written.  And honestly, she often lights-up the screen.  MJ often seems like a victim of everyone around her, but it's not her fault  she's given three boyfriends, an abusive father, and a complete inability to stand up for herself or fight for the right to own her life.  I also enjoyed the bit players and cameo artists, especially Ted Raimi, Bruce Campbell, Stan Lee, Cliff  Robertson as Uncle Ben, and Aunt May.

Recommendation:  See it.
Rating:  3.5 out of  5 Stars
Next Film:  Spider-man II

olivia_sutton: (Woman Blog)
This was posted to my movie review blog on 22 August 2012.  Remember my movie reviews get posted on blogger first.
  • Title:  Spaceballs
  • Director:  Mel Brooks
  • Date:  1987
  • Studio:  MGM
  • Genre:  Comedy
  • Cast:  Bill Pullman, Daphne Zuniga, John Candy, Rick Moranis, Mel Brooks, Dick Van Patten, George Wyner, Joan Rivers
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC

"You idiots!  These are not them!  You've captured their stunt doubles!" -- Spaceball Officer

"Preparing ship for Metamorphosis, sir."  -- Col. Sanders
"Good, get on with it."  -- President Skroob
"Ready, Kafka." -- Dark Helmet

Spaceballs is a bit disappointing for a Mel Brooks film.  The best moments are the tiny references to other classic films, and most of the Star Wars references don't quite work.  There's also a lot of juvenile humor in the film.  One of  the more successful things in the film is the use of music, for example when the extremely long Spaceballs ship is first seen at the beginning of the film, theJaws theme is heard. Later, when Lone Star and company crashland in the desert, the theme to Lawrence of Arabia is heard.

The film opens with the Spaceballs plotting to steal the air from the peaceful planet of  Druidia.  Over population, huge city complexes, and the complete destruction of nature and industrialization of the planet have used up the air on Planet Spaceball.  Meanwhile, on Druidia, Princess Vespa is to be married to Prince Valium, who is as boring as his name suggests.  Vespa, wisely runs away from her own wedding.

Vespa is caught by the Spaceballs, and King Roland, her father, offers to pay one million Spacebucks to Lone Star.  Lone Star needs the money to pay off Pizza the Hutt, a notorious gangster.  Pizza the Hutt is a disgusting character.  Lone Star flies through space in his Winnebago, with his best friend, Barf, a "Mog", half-man/half-dog character played by John Candy.

Lone Star succeeds in rescuing the princess and escaping the Spaceballs, but runs out of gas and crash lands on a desert planet.  They are rescued by "Dinks" who appear to the Seven Dwarfs music from Snow White. The dinks bring Lone Star, Dot Matrix (the princess's personal droid), Princess Vespa, and Barf to a secret temple, where they meet Yogurt, practitioner of  The Swartz.  The scene where the four approach the huge statute of Yogurt, terrified, is reminiscent of  The Wizard of Oz.

The transformed Spaceballs ship, which had turned into a gigantic maid, starts to remove the air from Druidia, but Lone Star uses the power of  the Swartz to reverse the air flow, then he flies into the ship, finds the self-destruct and destroys it.  The head and arm land on another planet, where two apes on horses are disgusted by the Spaceballs claiming out of  it's nose.  Yes, it's a reference to the original Planet of  The Apes.

Soon, Lone Star takes Vespa and Dot back to planet Druidia.  Once again, Vespa is ready to be married.  She, however, has doubts when she's told by her father than Lone Star turned down the one million spacebucks.  At the last minute, Lone Star arrives and he and Vespa are married.

A constant joke throughout the film pokes fun at Star Wars merchandise, as nearly everything is "Spaceballs the _____ blank", where blank is the actual item, such as "Spaceballs the towel", etc.  This joke gets old quickly and is over used.  Another slightly funnier joke, that's still used a lot, is not only is there a "Mr. Coffee" but also a "Mr. RADAR", etc.  And several characters, especially among the Spaceballs, talk to the audience and break the fourth wall.

Overall, not the best of  Brooks' films by a long shot, but it still has some very funny moments.  If  the leads had been Gene Wilder and Madeline Kahn the film may have been much more funny, but that wasn't possible.

Recommendation:  Eh, see or not, doesn't much matter
Rating:  3 out of 5 Stars
Next Film:  Spider-man

olivia_sutton: (Woman Blog)
  • Title: The Sound of  Music

  • Director:  Robert Wise

  • Date:  1965

  • Studio:  20th Century Fox

  • Genre:  Musical, Romance

  • Cast:  Julie Andrews, Christopher Plummer, Angela Cartwright

  • Format:  Color, Widescreen (70mm film)

  • DVD Format:  R1, NTSC


"Fraulein, were you this much trouble at the abbey?"  - Capt Georg von Trapp
"Oh, much more, sir." -- Maria

"Activity suggests a life filled with purpose." - Capt. von Trapp

"Maybe the flag with the black spider makes people nervous." - Greta

The Sound of  Music is a big showy musical film, which appears to be shot at least partially on location rather than being studio-bound, like most MGM musicals.  However, it is also long, at least three hours.  When the intermission card came up, I was ready for the film to be over.  yet, despite it's length, The Sound of  Music is a good film, and one that many consider a classic.

Julie Andrews is Maria, a young noviate at a convent -- it's clear to the Mother Superior and other nuns, that, while she is likable, Maria is not quite nun material, so the Mother Superior suggests she at least attempt to make her way in the world before returning to the abbey to take her vows.  Not quite ready to put the young woman out on the street with nothing but the clothes on her back, the Mother Superior sends her to Capt. von Trapp to become governess to his seven children.

A widower, Capt. von Trapp has become increasingly cold and withdrawn since the death of  his wife.  This is shown with the scene where he introduces the seven children to Maria by blowing their call signs on a whistle.  Maria finds this ridiculous.  The Captain then criticizes Maria's clothes.  When she tells him she doesn't have any others, she gave hers away when she went into the convent, he buys her fabrics to make new dresses.  He also has new drapes put in her room in his villa (it's a small castle).  She takes the old fabric and makes play clothes for the children.

Soon Maria becomes the best governess the children have ever had, taking them on field trips and teaching them to sing.  At first, stern Capt. von Trapp is appalled at Maria's light-hearted way, but eventually she draws him in too.  However, he's seeing Baroness Elsa, a cold-hearted widow.  At first, it seems like the Captain and the Baroness are a perfect couple, but eventually it's clear that he belongs with Maria.

Eventually, Elsa breaks off  her engagement with Capt von Trapp, as she realizes she's just not capable of being a mother of seven.  Capt. von Trapp then immediately proposes to Maria, they marry and leave for their month-long honeymoon, leaving the children in the care of  "Uncle Max".  The Captain and Maria return to discover that the Captain's beloved Austria has been annexed by Germany.  Not only that, but he is ordered to report to a naval base and become an officer in the German Navy.  Capt. von Trapp would literally rather die, and he and Maria plot their escape.

Here, Max comes to the rescue -- the von Trapp Family Singers will sing in the Salzburg Folk Festival, something the Captain had been against, and their escape will be arranged after the performance.  The plot eventually works, they escape, hide in the abbey, then go first by car, then by foot through the mountains and into Switzerland.

List of  Musical Numbers

  • The Sound of  Music

  • How Do You Solve a Problem Like Maria?

  • When You're 16, Going on 17

  • My Favorite Things

  • Doe a Deer / Do Re Mi

  • The Lonely Goatherd (during the children's puppet show)

  • Edelweiss

  • So Long, Fare Well, Auf  Wiedersehen, Goodnight

  • The Sound of  Music (reprise, slower version)

  • My Favorite Things (reprise)

  • I Must Have Done Something Good

  • How Do  You Solve a Problem Like Maria? (reprise)

  • When You're 16, Going on 17 (reprise)

  • Doe a Deer / Do Re Mi (at the folk concert, reprise)

  • Edelweiss (at the folk concert, reprise)

  • So Long, Fare Well, Auf Wiedersehen, Goodnight  (at the folk concert, reprise)

The good things about The Sound of  Music -- the full frame (though widescreen) filming of  the singing and the few dance numbers ("When You're 16, Going on 17" and the folk dance Maria and the Captain dance together during his grand party) is very nice, though the dances aren't as complex as either a Fred Astaire/Ginger Rogers musical or an MGM musical.  The location filming is gorgeous -- and it's nice to see a musical that isn't so studio-bound.  However, the film is overly long.  The second half (post the intermission card) does actually move faster, and I'm not sure what I'd cut if  I was the editor (well, yes I do -- I'd dump a lot of  the montages between Maria and the children and show more concrete examples of  how she reaches them).  Anyway, over three hours is really pushing it for a musical.

Recommendation:  See it, at least once, it is a classic
Rating: 3.8
Next Film:  Spaceballs

olivia_sutton: (Woman Blog)
This was originally posted to my Movie Project Review blog on 15 August 2012.
  • Title:  The Sorcerer's Apprentice
  • Director:  Jon Turteltaub
  • Date:  2010
  • Studio:  Disney
  • Genre:  Fantasy, Children's Film
  • Cast:  Nicolas Cage, Jay Baruchel, Alfred Molina
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC
"You've heard how people use only ten percent of their brains?  Sorcerers can manipulate matter because they're born with the capability to use the entire power of their brains.  Which also explains how molecular physics comes so easily to you."  - Balthazar

"The truth is you have a very special gift, you need to see that." - Balthazar

"OK, the first thing you need to know about me is I'm a sorcerer." - Dave


Nine-year-old Dave is on a field trip to New York City when he's separated from his classmates and ends up in a very bizarre magic store run by Balthazar (Nicholas Cage).  Balthazar tests Dave and realizes he's the Prime Merlinean.  Balthazar has been searching for the Prime Merlinean for over a thousand years.  However, before he can start to train the young sorcerer, they are attacked by an evil sorcerer name Horvath.  Dave escapes the store, and both Horvath (Alfred Molina) and Balthazar are trapped in an urn for ten years.

Ten years later, shy, nerdy, Dave has almost out-grown the embarrassment of  his experience at the magic store, and is now a physics student at NYU.  While making a presentation to a 101 class, he re-connects with Becky, a girl from his fourth grade class that due to the mess and the magic store he hadn't managed to impress.

Dave also meets Balthazar again, who convinces him that he is a sorcerer and begins to train him.  Meanwhile, Dave starts to date Becky.  He impresses her by fixing the electrical system of the college radio station where she works as a DJ, and later by treating her to a private Tesla coil concert in his private lab.  Dave's Tesla coil project is very coil, and the scene where he plays music with the coils to Becky, complete with indoor lightning is awesome. I've been to a Tesla coil concert before -- and they are awesome and very cool.  Becky becomes suitably impressed with her new boyfriend.

While Dave learns how to control his new-found powers, and starts his relationship with his new girlfriend, Horvath is not idle.  Also released at the same time as Balthazar, he begins to release evil sorcerers from the Grimholt a perpetual prison that resembles a Russian nesting doll.  With each sorcerer released in becomes smaller and smaller, until finally only Morgana -- the queen of evil sorcerers and nemesis of  Merlin and Veronica, Balthazar's lover and fellow apprentice of  Merlin who sacrificed herself  to capture Morgana.  Horvath also finds one modern magical "soldier", Drake Stone, a modern-day celebrity magician (think David Copperfield or Criss Angel).  But, as Horvath releases the evil sorcerers, he uses a parasite spell to take their powers.

Finally, Balthazar goes to stop Horvath and the newly-released Morgana from enacting a spell called, "The Rising", which will raise evil sorcerers from the dead and destroy the world.  Dave and Becky also arrive at the final conflict.  I won't spoil the finale.

Nicolas Cage makes for a great slightly scary slightly nutty sorcerer.  Jay Baruchel comes off as slightly whiny, but considering he's playing a self-professed "physics nerd", it's not that bad of  an acting job.  Alfred Molina plays a fun, over-the-top bad guy.  Teresa Palmer is a surprisingly spunky, non-annoying girl-next-door type, who is surprised but non-plussed when confronted with "real magic".  I liked that a somewhat "scientific" explanation was given for how magic works (matter isn't created or destroyed, merely re-arranged; for example -- an object is set on fire by rapidly vibrating the molecules in it).  The special effects consist of lots of computer morphing and "liquid object" effects.  However, practical in-camera gags were used at times at the beginning and end of  a specific effect.  Also, real fire effects were used, for example, in the sorcerer's training circles and spell circles.  (Obviously, "cool gel" was used for the fire).

Yes, as the title of  the film suggests, this film is based on the Mickey Mouse "Sorcerer's Apprentice" episode in Fantasia.  However, the film's opening sequence and voice-over add an intriguing backstory and setting to the main characters, creating a fantasy world that seems new, before moving forward in time to modern-day New York.  Overall, this film has a "pilot episode of a TV series" feel to it, or opening film in a series, rather than an individual separate film, which is too bad.  I would like to see more in the series, but it appears to be the only film Disney made.  Also, I enjoyed this film the most the first time I saw it, it loses some of  it's spark when it's re-watched.

Recommendation:  Pre-teens and Teenagers will probably enjoy this the best. Still, it's watchable.
Rating:  3.5 Stars
Next Film:  The Sound of  Music
olivia_sutton: (Woman Blog)
  • Title:  Singin' in the Rain
  • Director:  Gene Kelly and Stanley Donen
  • Date:  1952
  • Studio:   MGM
  • Genre:  Musical, Romance, Comedy
  • Cast:  Gene Kelly, Donald O'Connor, debbie Reynolds, Jean Hagen, Cyd Charisse, Rita Moreno
  • Format:  Standard, Technicolor
  • DVD Format:  R1, NTSC


"Dignity, always dignity."  -- Don Lockwood

"What do you think I am?  Dumb or something?"  Lina

"Everybody's always making speeches for me, well tonight I'm going to do my own talking, I'm going to make the speech!" -- Lina

It should come as no surprise that I'm a big fan of  Fred Astaire (see links on left to his many films that I own) so, even though I think it's perfectly possible to like both, I'm much less of  a fan of Gene Kelly.  Kelly definitely has a very different dancing style -- he's athletic, and dances like a gymnast but he's also very heavy.  While Astaire dances on air -- and seems to float with grace and style, Kelly is very down to earth and almost working class, even when playing a rich, successful, film star as he does in Singin' in the the Rain.

The film starts with a 1927 film premiere, which is reminiscent of  an Oscar Red Carpet night, complete with a female commentator, who announces the stars as they arrive.  Soon, one of  the film's stars arrives, Don Lockwood (Kelly), who is convinced to tell his well-known story to the audience.  He does, but the pictures in the resulting montage are the exact opposite of  his words.  It is a very nice piece of  ironic humor to start the film.

However, it is also ironically, and unintentionally, a comment on the studio system of  film-making, of which MGM was a prime (but not the only) example.  The studio would create background stories, publicity images, even the names of  their stars, as well as choosing which films their stars made and who their co-stars were.  Studio system actors, in a very real sense, were "just doing a job" -- they showed up, made that month's picture, then the next, and the next, and the next.  This is one reason why film stars of  the 1930s, 40s, and 50s, racked up huge numbers of  films if  they stayed in the business.

Just as Lockwood and Lina Lamont (Jean Hagen), the stars of  Monumental Pictures, start their new film, "The Dueling Cavalier", Warner Brother's "The Jazz Singer" comes out and is a smashing success.  "R.F.", the head of  the studio, decides "The Dueling Cavalier", will be a talking picture.  Don and Lina are given voice / diction lessons, but whereas Don takes to it like a duck to water, Lina, whom the studio has not allowed to speak in public, has trouble.  Her voice is loud, squeaky, obnoxious, and her manner is rude, self-centered, and shrewish.  Not only is her voice a distraction, but she is unable to figure out she must direct her voice towards the microphone, or that playing with her costume (notably a strand of  fake pearls) will cause extra noise that's a distraction on the film.  In short, Lina, is a disaster, though probably not entirely due to her own fault.

The new film is shown to a preview audience, and the crowd roars with laughter (for a serious, historic romance), and many complain it's the worst they have ever seen when leaving the theater.  RF, Don, and Don's friend, Cosmo (Donald O'Connor) are devastated. But, Kathy (Debbie Reynolds), a young starlet and acting hopeful, that Don has been pursing, has an idea -- make the film into a musical.  Cosmo points out that  Lina also can't sing or dance.  Then he gets an idea:  Kathy will dub Lina's lines, and sing for her.  They take the plan to RF, who loves it.  Don suggests they save what they can of  the film by making it about a "young hoofer" (that is, a dancer) who goes to New York to seek his fortune on the stage, while backstage he's hit by a falling sandbag, and dreams he's in the French Revolution (the footage already shot of  "The Dueling Cavalier"), the title of  the film will be changed to "The Dancing Cavalier".

Everything goes to plan until Lina finds out what's going on, and about Kathy dubbing for her.  She's extremely angry and releases a story to the press about her phenomenal singing voice.  She also points out to RF she's in charge of  her own publicity.  Therefore, RF's plans of  giving Kathy screen credit, and making it plain in the press she was a new star and would star in new films with Don goes up in smoke.

The new film's premiere is a success, and Lina insists she will make Kathy dub her voice for the next five years, ruining Kathy's own career.  She makes a speech to the crowd, which goes over only so-so, then at the crowd's insistence, sings the reprise of  "Singin' in the Rain", getting Kathy to dub it for her.  However, Don, Cosmo, and RF pull the curtain back, revealing that the excellent voice is, in fact, Kathy.

List of  Musical Numbers

Fit as a Fiddle

All I Do is Dream of  You

Make 'Em Laugh

You Were Meant For Me

Moses Supposes

Good Morning

Singin' in the Rain

Would You?

Broadway Melody / Broadway Rhythm

Singin' in the Rain (Reprise)

You Are My Lucky Star

Most of  the music from Singin' in the Rain, isn't original at all -- it's from Warner Brothers and RKO musicals from the late 1920s up to the mid-1930s.  Even the title tune is from the Hollywood Review of 1929, while "Good Morning" is from Babes in Arms (1939).  However, "Singin' in the Rain" with Gene Kelly gleefully walking, striding, singing, and dancing in a cold, rainy street is an excellent number.  I also liked the less-than-serious "Moses Supposes" (Kelly and O'Connor, partner tap) and the energetic "Good Morning" (Reynolds, Kelly, and O'Connor, trio partner tap).  The finale is typical of  big, technicolor, MGM musicals, with several moods, changes of  set and costume, lots of show dancing, and even two lovely ballet numbers starring Cyd Charisse dancing opposite Gene Kelly.

However, the film is very anti-feminist in it's attitudes.  Lina, is made fun of  and gets her come-uppance, not only because she's a "shrew" but because she insists on being in charge of  her own career, and speaking for herself.  Whereas Kathy is a good girl and always does what she's told - by Don and RF especially.  Lina's goal, speaking for herself, making her own career decisions, and basically not being pushed around, isn't so bad.  Yes, she misbehaves (especially towards Kathy whom she sees as a threat to her relationship with Don), but you know what they say about well-behaved women (they rarely make history).  There's also the inherent age-ism of  a young starlet replacing a more mature actress.  Overall, what she wants and her behavior isn't that bad, considering, and the way she's belittled, made fun of, and embarrassed -- not to mention the complete loss of  her career is a bit harsh of  a punishment.

Recommendation:  See it (if only for the dance sequences)

Rating:  3.5 out of  5

Next Film:  The Sorcerer's Apprentice

olivia_sutton: (Woman Blog)
  • Title:  Shrek Forever After
  • Director:  Mike Mitchell
  • Date:  2010
  • Studio:  Dreamworks
  • Genre:  Animation, Romance, Comedy, Musical
  • Cast:  Mike Myers, Eddie Murphy, Cameron Diaz, Antonio Banderes, Julie Andrews, John Cleese
  • Format:  Color, Widescreen Animation
  • DVD Format:  R1, NTSC

"You have three beautiful children, a wife who loves you, friends who adore you, you have everything.  Why is it that the only person who can't see that - is you?"  -- Fiona

I bought the Shrek films in a complete set, and it turns out the only one I hadn't seen was this one, the fourth and final Shrek film.  This time around, Shrek goes through a mid-life crisis, fearing he has lost his "roar".  He makes a deal with Rumplestilskin to have one day as an fierce ogre again in return for giving up one day of his own life.  However, Rumplestilskin takes the day Shrek was born, creating a weird alternate universe where Fiona's parents no longer exist, Rumplestilskin rules Far Far Away with an Iron Fist and the help of a troop of  evil witches, and Fiona Warrior Princess leads a band of  less than successful ogre rebels.  Donkey pulls a wagon for a pair of  evil witches, meanwhile Puss-in-Boots no longer wears his boots and hat, no longer fights, and has gotten very over weight.  Moreover, since Shrek was never born, after 24 hours he will cease to exist, making all the changes permanent.  It's sort of Shrek does "It's a Wonderful Life".


However, I still enjoyed this film.  Overall, the first film is the best, but all four, including this one, manage to keep the characters in character and true to themselves.  Even the alternate universe Fiona, Donkey, and Puss, all ring true to themselves.

Shrek discovers that if  Fiona experiences "True Love's Kiss" her curse will be broken, and Shrek also will be freed from his contract with Rumplestilskin.  However, when Shrek finally kisses her -- she hasn't fallen in love with him.  However, never fear, the film has a happy ending, and Fiona kisses Shrek a second time, having fallen for him, she and everyone else is returned to the birthday party that Shrek had stormed out of.  The ending credit music is, "I'm a Believer", as in the first film.  This is found by a montage of  "best of" scenes from all four films.

Again, I enjoyed the film.  This time the theme is more about being grateful for what you have, rather than themes of self-acceptance,  but it's still a well-thought out movie.

Recommendation:  See it!  May as well complete the set.
Rating:  3.8 out of  5 Stars
Next Film:  Singin' in the Rain

olivia_sutton: (Woman Blog)
  • Title:  It Could Happen to You
  • Director:  Andrew Bergman
  • Date:  1994
  • Studio:  Tri-Star Pictures
  • Genre: Romance, Comedy
  • Cast:  Nicolas Cage, Bridget Fonda, Rosie Perez, Isaac Hayes, Red Buttons, Stnaley Tucci
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC


"A promise is a promise."  -- Charlie Lang

"Hey, we've got a cop [that] gave a waitress a $2 Million dollar tip!" -- Reporter

The original title for this film, reportedly based on a true story, was "Cop Gives Waitress $2 Million Tip", which I like better than It Could Happen to You. However, the film is still an enjoyable feel-good movie.  The film has a fairy tale feel to it, especially when it cuts to "Angel" (Isaac Hayes) who provides some narration to explain the plot and the characters.

Charlie Lang is a cop in Queens, New York.  He's happy in Queens and enjoys his job as a police officer.  One day he and his partner are in a coffee shop for lunch, when they get a call.  They are unable to get their lunch, and he's short for paying the bill (two coffees).  The waitress, Yvonne, offers to have the coffee on the house, but her attitude almost suggests that she thinks Charlie is trying to get out of  the bill because he's a cop.  Charlie explains that he can pay for the coffee, but not a tip.  He then tells her he feels really bad about being short, and promises her that he will split his lottery ticket with her if  he wins, and pay her tip the next day if  he doesn't.  She thinks he's a goofball and doesn't expect to see him again.

Yvonne, meanwhile, is having the worse day of  her life when she first meets Charlie.  She had gone bankrupt that morning, when she couldn't pay the $12,000 on her Mastercard (run up by her ex-husband).  Technically, she's only separated, not divorced, because she can't afford a divorce either - and thus by New York law she's responsible for her husband's debt on her card in her name.  She also has a terrible boss who berates her and charges everything he can against her check (from her missing time due to the bankruptcy hearing to customers walking out without paying their check).

That night, Charlie discovers to his surprise that he and his wife actually won $4 Million with the lottery ticket.  Charlie's not sure what to do, but he wants to give the waitress the $2 Million he promised her.  He goes back to the coffee shop the next day, and Yvonne is her normal self -- kind-hearted, sweet, and warm. Charlie is impressed.  In the end, he gives her a choice -- her tip, or half what he won in the lottery.  Thinking he won nothing, she still plays along and says - half of the lottery ticket money.  Then Charlie tells her he's giving her $2 Million.

Charlie continues to be a cop, because he enjoys it, and he's in a Korean grocery when he realizes the place is getting robbed.  He tells his partner, then sneaks in through the back as his partner covers the front.  He's able to stop the robbery but gets shot in the shoulder during the tussle.  He's decorated for bravery and retires.

Charlie is quickly getting bored out of  his mind since he's not working.

Meanwhile, Muriel, Charlie's wife, a ambitious, spiteful, greedy woman, is wildly spending the money.  She talks Charlie into going on a millionaires cruise in New York harbor.  He goes with her, but gets off the boat when he sees Yvonne.  The two miss the boat, but have dinner together and dance.  The next day they go out on a "date".  Meanwhile, on the cruise, Muriel chats up an investment broker who tells her he's made $44 Million with his investments.

Tensions rise between Charlie and Muriel, and eventually she demands a divorce.  Unhappy, and miserable, and realizing he no longer has anything in common with his wife, Charlie agrees.  He ends up going to the plaza hotel.  Yvonne meanwhile is having her own problems -- her ex, not satisfied with asking her for money over the phone, shows up at her apartment.  When she can't get him to leave - she leaves, and goes to the Plaza Hotel.

Needless to say, Charlie and Yvonne run into each other.  But their "tryst" becomes front page news.  Muriel gets an expensive lawyer to demand the lottery money.  Charlie offers her his half, but explodes when she also demands Yvonne's money.  The case goes to court and Charlie and Yvonne lose.

That night Charlie goes to see Yvonne at the coffee shop.  She's bought the shop, but without the lottery money she won't be able to hold on to it.  Charlie asks her if she cares for him.  Yvonne realizes she does.  The two hold each other and make tentative plans to move to Buffalo.  While they are taking, the character of  Angel comes up to the window and mimes eating.  Yvonne lets him in, and feeds him some soup.  The man takes photos of the couple with a miniature camera.  However, he doesn't expose them; rather with the headline of  "Their Darkest Hour", his article is about the kindness the two show towards a stranger, even while mired in their own problems.  The next day, tons of  letters arrive at Yvonne's coffee shop, with small amounts of  cash and checks ($5.00, $10.00 each etc).  In all, the two end up with a $600,000 Good Samaritan fund.  Yvonne keeps her coffee shop, Charlie goes back to the force to be a cop, and the two of course marry.

What makes It Could Happen to You such a feel good movie and a step above the average romantic comedy is that Charlie and Yvonne are just good people.  On one of their days together, the two buy an entire bag full of subway tokens and treat everyone to free rides home.  Yvonne's first impulsive act when Charlie tells her she's won and he's giving her the money is to treat everyone in the coffee shop to free ice cream on their pie.  Charlie gives a few bills to a homeless guy as he and his wife walk into one of the  expensive shops when she goes on her first spending spree.  Both both are just kind, wonderful people who liking helping others.  Charlie loves his job as a beat cop because he can help people.  He also mentors and plays stickball with a group of street kids on his block.  Yvonne, also, is a good person even though she's gone through some tough times and bad luck on her own.

The style of  the film is very much like a fairy tale, and like any good fairy tale it has a good lesson about showing kindness to strangers and not being selfish.  I highly recommend this movie!

Recommendation:  See It
Rating:  4 out of 5 Stars
Next Film:  Shrek Forever After

olivia_sutton: (Woman Blog)
  • Title:  Shrek the Third
  • Director:  Chris Miller
  • Date:  2007
  • Studio:  Dreamworks Picturese
  • Genre:  Comedy, Romance, Musical, Animation
  • Cast:  Mike Myers, Eddie Murphy, Cameron Diaz, Antonio Banderas, Julie Andrews, John Cleese, Eric Idle, Justin Timberlake
  • Format:  Color, Widescreen Animation
  • DVD Format:  R1, NTSC

"I know what it's like to not feel ready for something.  Even ogres get scared, you know, once in awhile."  -- Shrek

"OK, girls, from here on out, we're gonna' take care of  business ourselves." -- Fiona


In the third Shrek installment, Fiona's father, the King, dies, and leaves Shrek as his heir.  But Shrek isn't ready, and thinks the kingdom won't accept an ogre as king -- so he finds out, on the king's deathbed, that there is another heir, Arthur.

Shrek decides to go with Donkey and Puss-in-Boots to find this lost heir.  Just before he leaves, Fiona tells him she's pregnant.  Shrek is nervous and slightly terrified at the prospect of  becoming a father.

Meanwhile, all the princesses and her mother give Fiona a baby shower.  This is thankfully interrupted by Prince Charming, who has gathered all the evil-doers in Far Far Away to attack the castle.  Charming, a frustrated actor who was failing at dinner theatre, is still trying to impress his mother, Fairy Godmother, by becoming king and taking over the kingdom.

Although Fiona, the Queen, and the princesses initially escape, they are betrayed by Rapunzel (who has made a deal with Charming to become his wife and defacto queen of  Far Far Away).  Once in a dungeon room, the princesses (Snow White, Cinderella, and Sleeping Beauty) all announce they will wait to be rescued.  Fiona thinks they should rescue themselves, but isn't sure how.  The Queen breaks them out of the dungeon cell -- and Fiona liberates the Princesses.  I loved this scene, especially the bra burning.  The Princesses, the Queen, and Fiona then attack the castle to rescue Shrek, and defeat Prince Charming.

However, during the final conflict at Charming's show (a play starring Charming and Rapunzel in which Charming defeats Shrek and wins the Princess), Shrek and Arthur convince all the villains they should be who they want to be, and fulfill their dreams.  Charming, however, is not taken in by this - as all he wants is control of  the kingdom.  Shrek and Artie  manage to defeat Charming.

Instead of the big musical number to end the film, this one has a montage of Shrek and Fiona as new parents to three little ogres.

Overall, I really liked the Liberation of  the Princesses part of this film (including the combat montage to "Barracuda"; the second plotline -- Shrek and Donkey (with Puss-in-Boots) on yet another quest to a distant  land felt like it had been done.  Charming's rousing of the villains was interesting - but by the end of  the film I actually felt kinda' sorry for Charming.  I think the film could have done a better job of  being fair to his character -- he almost became a cardboard villain so to speak.  Also, with a lost boy king named Arthur, I expected Arthurian/Holy Grail/etc type gags, but other than a psychedelic Merlin the film completely ignored that opportunity.

There also isn't as much in the way of  sight gags and verbal wordplay as there has been in the previous two films.

Recommendation:  See it
Rating:  3.5 out of 5 Stars
Next Film:  Shrek Forever After

olivia_sutton: (Woman Blog)
  • Title:  Shrek 2
  • Director:  Andrew Adamson, Kelly Asbury, Conrad Vernon
  • Date:  2004
  • Studio:  Dreamworks Pictures
  • Genre:  Animation, Musical, Romance, Comedy
  • Cast:  Mike Myers, Eddie Murphy, Cameron Diaz, Julie Andrews, Antonio Banderas, John Cleese, Jennifer Saunders
  • Format:  Widescreen, Color Animation
  • DVD Format:  R1, NTSC

"Stop!  I have misjudged you!" -- Puss-in-Boots
"Join the club -- we have jackets."  -- Shrek
"On my honor, I am obliged to accompany you until I have saved your life and you have spared me mine." -- Puss-in-Boots
"I'm sorry, the position of annoying talking animal has already been taken."  -- Donkey

In the second Shrek movie, Fiona and Shrek return from their honeymoon to an invitation from Fiona's parents to go visit them in Fiona's home kingdom of  Far Far Away.  Fiona thinks this is a great idea and is sure her parents will love Shrek.  Shrek is considerably less sure, and is convinced meeting his in-laws will be a disaster.  They make the long and boring trip to Far Far Away (depicted as Hollywood) only to have the King and Queen be shocked that Fiona has married an ogre, especially the king.  Fairy Godmother, meanwhile, a conniving woman, plots to get her son, the swarmy mama's boy, Prince Charming married to Fiona, as the King had promised.

This round, it's Shrek's turn to show his insecurities, especially about his looks as an ogre.  He takes a potion which turns he and Fiona human (and Donkey into a white horse).  Fairy Godmother and the King try to get Fiona to fall for Charming, but in the end -- she tells Shrek she loves him.  And she wants to be with the ogre of  her dreams.

Like the first Shrek film, Shrek 2 is filled with great sight gags, inside jokes, word play, and reversals of typical Disney-style fairy tales.  It also pokes fun at the Hollywood Fairy Tale as well.  Puss-in-Boots, voiced by Antonio Banderas is a great addition to the cast.  And, like the first film, the music is great (particularly Fairy Godmother belting out a jazzy rendition of  "Holding Out for a Hero").

Recommendation:  See it!
Rating:  4 of 5 Stars
Next Film:  Shrek The Third

olivia_sutton: (Woman Blog)
  • Title:  Shrek
  • Directors:  Andrew Adamson and Vicky Jenson
  • Date:  2001
  • Studio:  Dreamworks Pictures
  • Genre:  Animation, Musical, Comedy, Romance
  • Cast:  Mike Myers, Eddie Murphy, Cameron Diaz, John Lithgow
  • Format:  Color, Widescreen, Animated
  • DVD Format:  R1, NTSC

"Bachelorette Number Three is a fiery redhead from a dragon-guarded castle surrounded by hot boiling lava.  But don't let that cool you off.  She's a loaded pistol who likes pina coladas and getting caught in the rain.  Yours for the rescuing, Princess Fiona!"  -- Magic Mirror

"You know, Donkey, sometimes things are more than they appear."  -- Shrek

 "It's the world that seems to have a problem with me.  People take one look at me and go, 'Oh help, run!  A big, stupid, ugly, ogre.'  They judge me before they even know me.  That's why I'm better off alone."  -- Shrek

Shrek takes the typical Disney-style Fairy Tale and inverts it, casting the Ogre as the hero who must rescue the Princess.  But not only that, Shrek pokes great fun at Disney and as traditional Fairy Tales and even nursery rhymes.  It's almost lie watching a parody of  the Disney Fairy Tale genre; and the sight gags and verbal humor work very well.  But what Shrek is also about is being true to yourself, seeing yourself as beautiful for who and what you are, and coming to terms with the "real you".  And that is a very good message to be sending to kids and teenagers -- especially girls, but boys too.  Because, for all that Shrek seems to be comfortable with his Ogre lifestyle -- he's also completely alone.  And although at first he seems happy that way, very early on in the film, Donkey becomes his friend, and eventually Shrek and Fiona realize their feelings for each other and are married.  Or, at least, become a couple.

The film begins with a musical introduction of Shrek, a content and happy ogre.  When townspeople show up with pitchforks and burning torches -- he runs them off.  Meanwhile, all the fairy tale, magical, and even nursery rhyme characters are being rounded-up by Lord Farquaad.  Farquaad dumps these "unwanted creatures" in Shrek's swamp.  Shrek wants peace and quiet, so he goes off to Lord Farquaad's castle, fights off  the Lord's champion knights, and agrees to take on a quest:  he will rescue Princess Fiona, in return for Farquaad giving him his swamp back.

In a fairly standard fairy tale way, Shrek and Donkey get to the castle where Fiona is being held, rescue her and escape from the dragon.  However, the dragon is female and develops a crush on Donkey.  This will be important later in the story.

The way back to Farquaad's castle will take three days and nights.  And Fiona has a secret -- she refuses to let anyone see her at knight because of  a curse.  At night, Fiona turns into an ogress and thinks she's ugly and unlovable.  She wants to marry and experience "True love's first kiss" to break the curse.  Fiona also is adept at martial arts, doing the "Crouching Tiger, Hidden Dragon" thing to take out  Monsieur Robin Hood and his Merry Men.  Gradually, over time, Fiona and Shrek come to like each other, but there's a horrible misunderstanding, and Fiona chooses Lord Farquaad.  Meanwhile, Donkey has learned Fiona's secret.  Shrek also rejects Donkey, mostly due to the same misunderstanding.  Donkey, though, goes to confront Shrek and the two make-up and become friends again.  Donkey then sets Shrek straight, and the two are flown to Lord Farquaad's castle to stop the wedding.  Shrek interrupts the wedding, Fiona chooses Shrek and kisses him, and the curse is broken -- revealing her true form to be that of  an ogress.  Shrek and Fiona drive off  in an onion-shaped carriage.

Overall, Shrek is an excellent film.  It's very funny, it's got a good story, and the "moral" of  being true to yourself and learning to love who you really are is good for children, teens, and adults.   I recommend it.

Recommendation:  See it!
Rating:  4 out of  5 Stars
Next Film:  Shrek 2

olivia_sutton: (Woman Blog)

Originally published on my movie review blog on 14 June 2012.

  • Title:  Ironman 2
  • Director: Jon Favreau
  • Date:  2010
  • Studio:  Paramount, Marvel
  • Genre:  Action, Fantasy
  • Cast:  Robert Downey Jr, Gwyneth Paltrow, Sam Rockwell, Scarlett Johansson, Don Cheadle
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC

"You want my property, you can't have it.  But I did you a big favor, I've successfully privatized world peace."  -- Tony Stark

"You are running out of  both time and options.  Unfortunately, the device that's keeping you alive is also killing you."  -- Jarvis

"You want to do this whole lone gunslinger act, and it's unnecessary.  You don't have to do this alone." -- Rhodey
"You know, I wish I could believe that, I really do.  But you gotta trust me.  Contrary to popular belief, I know exactly what I'm doing."  -- Tony

The film does open with a re-cap of the audio from Tony's press conference at the end of  the first Ironman film -- played out against a man in Russia assembling his own arc reactor and Ironman-like suit.  We will later discover this is Whiplash.

Tony, as Ironman, literally drops in to a rock concert-like opening for Stark Expo, complete with screaming fans and Rocketts.  He's back to the arrogent, ego maniac -- wild, and irresponsible, challenging anyone and everyone who is in his way, including a Senate sub-committee.

Normally, in a sequel to a heroic adventure, I would expect that the hero, having learned his true path in the first film (or book) would spend the second film facing down a bigger, badder, meaner challenge.  It's nice if there's  more character interaction and development; or if  the world opens up, so to speak, widening the area where the hero plays.  However, in Ironman 2, Tony seems to have slipped backwards -- once again becoming the irresponsible playboy, without a thought for how his actions affect others.

It's soon revealed that Tony is dying.  The Palladium core of  the arc reactor in his chest that keeps him alive,  is also slowly poisoning him.  Tony begins to give away his things, such as donating his modern art collection to the Boy Scouts of  America.  He also makes Pepper the CEO and chairman of  his company.  Their conversation when he does so, is at breakneck speed and great fun to watch.

Tony then goes to the Grand Prix race in Monaco.  Pepper, Happy, and a new Stark Industries employee named Natalie Rushman (later revealed to be a Shield agent, named Natasha) accompany Tony to Monaco. There he's challenged by Justin Hammer, CEO of  Hammer Industries - a weapons manufacturing company and former business rival of  Stark's.  Hammer wants to build his own Ironman suits as well to sell to the US Armed Forces.

Tony slips away from the meeting, and tests his blood toxicity (with a device that looks very much like the type of  portable blood sugar monitor used by diabetics).  Next you see him, he's preparing to drive the race car he was only supposed to be sponsoring for the Grand Prix.  Pepper is livid and has Natalie find  Happy so they can try to stop Tony from getting himself  killed.   During the race, Whiplash arrives and causes havoc -- attacking cars and then deliberately crashing Tony's race car.  Tony manages to free himself, and with a little intervention from Happy and Pepper is briefly rescued.  Pepper throws him a red suitcase, and Tony steps into the Ironman suit and challenges Whiplash.  He wins and the villian is carted off  by the police.

On the flight back to the US, Pepper does ask Tony what he's not telling her.  He talks about cancelling his birthday party and going with her to Venice.  Again, their dialogue together is cute, but Tony isn't really telling her what's going on.

Whiplash escapes prison, and is convinced to work for Justin Hammer.  He, does, however, have his own agenda.

Meanwhile, the night of  his birthday party, Rhodey finds Tony in his workroom, alone, and in bad shape.  Tony gives a wild birthday party, and when Pepper tries to stop him -- he goes even more wild, destroying things.  Rhodey shows up in one of  Tony's old Ironman suits and the two go at it.  In the end, Rhodey escapes with the suit and takes it to the Air Force.

The next day, Fury, of  S.H.I.E.L.D., arrives and gives Tony lithium dioxide to counter the effects of  the Palladium poisoning.  He also introduces a more important part of  the plot; that Howard Stark said the arc reactor was only a stepping stone to something greater, and Tony was the key.  Tony's confused by this, but takes his father's trunk and returns to the Orphanage (his home) where he discovers Agent Phil Coulson will be his body guard and babysitter.

Going through he father's things, he discovers an old 16mm film of  his father's speech for the opening of  Stark Expo.  At the end of  his practicing the speech, Howard Stark addresses Tony directly.

Tony goes to see Pepper at Stark Industries and again is incapable of  telling her how he feels (partially because she cuts him off) or that he's dying.  But when he sees the Stark Expo model leaning against a wall, he realizes there's more to it than meets the eye.  He brings it back to his workshop, and has Jarvis render it into a 3-D working model.  Working with the model, he realizes it's an atom for a new element.  Tony builds a Large Hadron Collider in his workshop and creates the new element.

As before, Tony is at his best, when he is alone and working on a problem or to build something.  The man is most definitely an engineer.  And I still love Jarvis and the 3-D holographic displays as Tony figures stuff out and manipulates parts of  the rendered drawing with his hands.  (I use AutoCAD at work -- I wish it was that easy!)  The final shot of  Tony surrounded by dots of  blue light, representing his new element is absolutely gorgeous!  I loved it!  Tony puts the new element in his arc reactor core which will help his "dying" problem.  In other words, he's no longer being poisoned slowly.

Justin Hammer turns out to be a bully -- taking Whiplash's pet bird when he isn't delivering fast enough on making suits that imitate Tony's Ironman.  Rhodey delivers his suit to the Air Force who deliver it to Hammer.

At Stark Expo, Hammer introduces his battle drones, and his VTRB (Variable Threat Response Battlesuit).  But Wisplash takes control of  the suits remotely and chaos reigns.  Even Rhodey in his own VTRB suit can't control it.  Tony has Jarvis hack into Rhodey's suit, granting him control at least.  Pepper contacts the police to try to bring some control to the chaos.  Eventually, Tony and Rhodey defeat Whiplash and his drones, but Whiplash has one final act to play -- all the drones contain bombs.  Tony rushes off and rescues Pepper.  She quits as  CEO of  Stark Industries.

Ironman 2 has some fun moments, and I liked the advancement of  Tony and Pepper's relationship.  I also found the one step forward two steps back approach to Tony and Pepper's relationship to be frustrating almost to the point of  annoyance.  Tony and Pepper are cute together.  She can improve him, but they also seem to be always moving in opposite directions, unable to stand still long enough to really meet and know what the other is saying.  But I also found it odd that dying was used by Tony as an excuse to go back to his irresponsible playboy ways.  And, in a sense there was too many "big action scenes" and not enough character development (even for the villian -- the only place his name was used was the back of  the DVD box).  A sequel should further develop the main character's arc, but in this film it seems to go backwards instead.   However, Robert Downey Jr and Gwyneth Paltrow again knock it out of  the park, doing their best with what they are given.  And I like Tony when he's alone and acting as an engineer.  But overall, a little disappointing.

Recommendation:  See it.  May as well to keep up with the various Marvel movies leading up to The Avengers.
Rating:  3.8 out of  5 Stars
Next Film:  Sherlock Holmes:  A Game of  Shadows

olivia_sutton: (Woman Blog)

Originally posted to my movie blog on 12 June 2012.

  • Title:  Ironman
  • Director:  Jon Favreau
  • Date:  2008
  • Studio:  Paramount, Marvel
  • Genre:  Action, Fantasy
  • Cast:  Robert Downey Jr, Jeff Bridges, Gwyneth Paltrow
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC

"So you're a man who has everything and nothing."  -- Yinsen (when Tony tells him he has no family)

"Thank you for saving me."  -- Tony Stark
"Don't waste it.  Don't waste your life."  -- Yinsen

"I saw young Americans killed by the very weapons I created to defend them and protect them.  And I saw that I had become part of a system that is comfortable with zero accountability."  -- Tony Stark

When we first meet Tony Stark, well, when we first meet him -- he's getting blown up by one of  his own weapons manufacturing company's weapons -- but the film quickly flashes back and shows us the previous thirty-six hours of  Tony's life.  Tony Stark is rich, powerful, irresponsible, a playboy, and a bit of a jerk.  He has no idea what his own company is doing, though he thinks he does, and he probably doesn't care.  On a publicity trip to Iraq or Afghanistan to demonstrate his company's new weapon, the Jericho missile (a multi-warhead missile that reminds me of  the "probes" in Stargate:  Atlantis), Tony's convoy home is attacked.  And thus we are back where the teaser to the film starts - the convoy is blown-up, and Tony is blown-up by a Stark Industries weapon.

Tony wakes in a rebel camp, the multi-national Ten Rings group.  He's tortured, but his life is also saved by an electro-magnet installed in his chest by a man also being held captive, Yinsen.  Yinsen is learnéd, a doctor, and had met Tony before at a lecture, though Tony doesn't remember him.  The rebels demand that Tony build them a Jericho rocket.  Tony refuses.  Then he agrees, but instead of  building the rebels a weapon, he builds a suit (and a miniature arc reactor to power the electro-magnet in his chest keeping the shrapnel from entering his heart).  His plan is for he and Yinsen to get out of  there.  Yinsen dies in the attempt, but Tony not only gets out, he uses a flame-thrower to burn-up the cache of  weapons and several of the rebels.

Rhodey, Tony's friend from the Air Force, rescues him and returns him to Pepper Potts, his administrative assistant.  Tony refuses medical attention, asks for a cheeseburger, and has Pepper arrange a press conference.  At the conference, he announces Stark Industries will no longer manufacture weapons.  Obadiah steps in and shuts him up.  Tony isn't pleased.

Tony has shown himself  to be an excellent engineer -- with the ability to not only plan how to make something, but to actually assemble it -- with skills in welding, forging metal, building things, and improving things.  He uses the paladium from some of  the weapons in the rebel cave to forge a ring that powers his arc reactor, as well as making the Mark I  Ironman suit.

Tony returns to "The Orphanage", his home in presumably California, and begins working on improving his Arc Reactor.  Obadiah tells him "the board" thinks he has PTSD, and orders an injunction against him, freezing him out.  Tony still insists Stark Industries will no longer make weapons.  He returns to his workshop and starts the Mark II  Ironman suit.  Tony, again, is an excellent engineer -- and some of  the best scenes in the film are of  him working, by himself, to solve a problem.

And by the bye -- I WANT a Jarvis!  A computerized butler, assistant, and 3-D computer interface.  Jarvis goes on my short list of SF inventions I want (along with, say a TARDIS), but I digress.

Tony goes to the Fire-Fighters ball that one of  his charities sponsors, and dances with Pepper, but then discovers (a) Stark Industries is selling weapons to the enemy, (b) Obadiah froze Tony out so he could continue to do so.  Finding about about Stark weapons being used to target Gulmira, Yinsen's home town, Tony gets into the Ironman gear and decides to do something.  He kicks butt, basically.

More confirmation that Obadiah is not Tony's friend:  he's paying the rebels (in cash and weapons), and asked them to kill Tony Stark.  And this was before Tony becomes Ironman.  Obadiah takes the pieces of Tony's original survival suit (which were left in the desert) to Level 16 of  Stark Industries, so he can make more suits.  Tony needs proof of  this so he sends in Pepper to get that proof.  But she doesn't immediately agree -- that their conversation says a lot about both characters and their relationship.

"There is the next mission and nothing else."  -- Tony
"Is that so?  Well, then, I quit."  -- Pepper
"You stood by my side all these years while I reaped the benefits of destruction.  And now that I'm trying to protect the people I put in harm's way; You're going to walk out?" -- Tony
"You're going to kill yourself, Tony.  I'm not going to be a part of  it." -- Pepper
"I shouldn't be alive, unless it was for a reason.  I'm not crazy, Pepper.  I just finally know what I have to do.  And I know in my heart that it's right." -- Tony

Tony is learning responsibility, and he's starting to acknowledge his feelings for Pepper.  Feelings she's returned but for the fact that he's her boss.  But there is a caring between the two.

Pepper gets the info and runs into Agent Coulson of  S.H.I.E.L.D.  But Obadiah gets to Tony first, stuns him, takes the arc reactor, threatens to kill Pepper, and informs Tony he's going to make an army of  Ironman suits to sell to the highest bidder.  Dying, Tony tries to get to his workshop to put the old arc reactor in his chest.  Meanwhile, Pepper is frantic -- worrying about Tony.  She sends Rhodey to him.

Tony is able to get in the Ironman suit and fight Obadiah.  Though S.H.I.E.L.D. prepares an alibi for Tony - he admits before a press conference that he is Ironman - cut to end credits.

Ironman walks the path of  many more traditional hero stories -- the hero (to be) is a jerk, with problems understanding the real world.  The hero faces a life-altering threat.  A mentor helps the hero see his true path, but dies.  The hero emerges in a new guise but isn't quite ready or the completed/perfect hero yet.  There's another crisis.  By walking through the fire of  the second crisis -- the hero becomes the final, complete, perfected hero he is meant to be.  However, the film does it with style -- and the artful talents of  Robert Downey Jr and Gwyneth Paltrow -- both of whom are excellent in this.  Enjoyable and fun!

Recommendation:  See it!
Rating:  4 out of  5 Stars
Next Film:  Ironman II

olivia_sutton: (Woman Blog)
This review was  originally posted on my movie blog on Sunday 17 June 2012.
  • Title:  Sherlock Holmes A Game of Shadows
  • Director:  Guy Ritchie
  • Date:  2011
  • Studio:  Warner Brothers
  • Genre:  Action, Adventure, Drama
  • Cast:  Robert Downey Jr, Jude Law, Jared Harris, Noomi Rapace, Rachel McAdams, Kelly Reilly
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC

"Oh, how I've missed you, Holmes." -- Dr. John Watson

"It's so overt, it's covert." -- Sherlock Holmes

"What better way to conceal a killing, no one looks for a bullet hole in a bomb blast." -- Dr. Watson

"They're dangerous at both ends, and crafty in the middle.  Why would I want anything with a mind of  its own bobbing about between my legs?" -- Sherlock Holmes (on horses)

It isn't often that an adventure film sequel is as good as or better than the original, but Sherlock Holmes A Game of  Shadows is one brilliant film, just as good if  not better than Sherlock Holmes.  Guy Ritchie's Sherlock Holmes films are proving to be crack to the SH fan -- doing things any fan of  Sir Arthur Conan Doyle's writing has always wanted to do (Who hasn't wanted to push Mary off a railway bridge?  Or to not only have Watson see Holmes' fall at Reichenbach, but to have a hint that he knew Holmes wasn't dead?)  Holmes and Watson were the original "buddy cop show" (though neither was a cop) and Holmes the original geek (used in the best sense, not the pejorative one) Ritchie's films have come about at the most appropriate time, here's hoping to a long and successful series.

In Sherlock Holmes A Game of  Shadows, we immediately see the close friendship between Holmes and Watson.  They finish each other's sentences, know each other's moves, and have complete trust in each other when it really counts. Holmes doesn't discount Watson's abilities, especially as a soldier, or as a doctor.

This film introduces Professor James Moriarty, as Holmes' equal and opposite.  Their conflict is played out in a metaphor of  chess, and both are very good at the game.  But, Holmes probably wouldn't have directly challenged Moriarty, even when he finds out, to his horror, exactly what Moriarty is up to, if  it wasn't for Moriarty's murdering of  Irene Adler, and threats against Dr. John Watson, and his wife, Mary.  The film also  plays with real historical events, including a series of  anarchist bombings in Europe (which did happen, especially in Russia) and the prelude to World War I.  Moriarty's plan, in fact, is to use the existing alliances and rivalries in Europe to start a world war -- twenty three years early.  This, after he has  bought-up every business that can profit from war from bandages (cotton) to bullets (weapons and chemical warfare).  Moriarty owns cotton, steel, opium (used to make morphine - the anesthetic of the time), and the aforementioned arms.  As Holmes points out when Moriarty is torturing him, "Now that you own the supply you intend to create the demand."


The film also introduces Mycroft, Sherlock's brother, played by Stephen Fry, as quite possibly more eccentric than Sherlock.  However, it is to Mycroft that Sherlock trusts the health and welfare of  Mary, after dropping her from a moving train into a lake to save her from Moriarty's attack.  Watson is quite distraught at Holmes' cavalier treatment of  his wife, until he realizes that Holmes was in complete control, timing things perfectly, and his actions were to protect Mary.  Quite a lot of  Holmes' actions in the film are to protect Mary and John; John because he is Holmes' only friend and Mary because she is important to John.

I, personally realized the film was doing "The Final Problem", when Moriarty's men attack on the train, but I still loved just how much Ritchie opened up that particular story and brought more to it.  That Holmes sends John on an errand so he can sneak into Moriarty's weapons factory in Germany speaks volumes of  how much he cares.  That John returns and immediately figures out how to rescue Holmes, not only shows his own intelligence, but his own feelings for Holmes.

The escape, with the gypsies through the forest was brilliant.  First the  direction, using a stop-motion technique to freeze the action briefly, enabling the audience to actually follow it was brilliant.  The complete chaos of  the explosions, gunshots, and use of  big guns (howitzers, etc) brings to mind World War I.  There is also complete trust between Holmes and Watson, when at one point, Holmes twirls the stock of  a gun, and Watson is right there to receive it as Holmes hands it off.  It's Watson who fires the weapon at Moriarty's men.

After escaping, Holmes, who's been tortured, Watson, and Sim, their Gypsy companion, are in a railway car.  Holmes stops breathing and his heart stops.  Watson beats on his chest (this is a little premature - I don't think even a doctor would know CPR in 1891) but is unsuccessful.  Then he has a lightning moment - and uses Holmes' wedding gift -- pure adrenalin, that Holmes had extracted in an experiment, and Watson had seen Holmes use to revive Gladstone (Watson's dog) after the dog ate something poisonous.  The adrenalin works and Holmes jumps up, babbling of  bad dreams.  But the entire scene is brilliant.  Watson pounds on Holmes' chest crying that Holmes,"Bloody well not going to die on me!" and shouting at him to "come on".  Watson's brief  devastation as he realizes that his best friend has died, before the light bulb goes off, perfectly illustrates his caring for Holmes.

Holmes, Watson, and Sim arrive in Switzerland and meet Mycroft, but discover the peace conference is still planned.  Holmes dances first with Sim, and then with Watson. (Another perfect moment!)  He points out that Rene has had his face altered by experimental surgery.  Holmes trusts Watson to find Rene, Sim's brother and stop the planned assignation that will touch off a war, while he goes to confront Moriarty personally.  Holmes and Moriarty plan a chess game together, without even using a board, while Moriarty both threatens Watson and Mary, and tells Holmes there is nothing he can do to stop him.  Holmes sacrifices his Queen in the game, to win.  The two then fight, first in their heads (each plotting out moves and counter moves, before doing a thing).  Holmes, knowing he is still weak from his injuries at Moriarty's hands, grabs Moriarty and sacrifices himself, dragging them both over a balustrade into the rushing waterfall under the castle of  Reichenbach.  Watson, having found Rene, and stopped the assignation attempt, opens the door, a smile on his face to tell Holmes of  their success.  But, his smile evaporates, as he sees Holmes and Moriarty fall into depths.  We then hear Watson reading the end of  "The Final Problem", as a voice-over, which then becomes Watson typing the story.  Mary comes to him, reminding him of  their planned honeymoon trip.  However, Watson gets a strange package in the post, Mycroft's oxygen breather.  Watson leaves, and Holmes appears, having been hidden by his camouflage.   He adds a question mark to the words, "The End", at the end of  Watson's story, cut to credits.  Simply brilliant!

Sherlock Holmes A Game of  Shadows is brilliant.  The directing is perfect.  I loved the ramped-up "Holmes vision", which really gets into Holmes' head and shows the audience how he thinks.  Also, it makes Holmes seem less arrogant or untouchable/non-understandable by allowing the audience to see just how his mind works, rather than letting his deductions and actions seem almost magical or like some sort of  trick.  The friendship of  Watson and Holmes was handled very well.  I loved that they finished each other's sentences, knew each other's moves, but also, at their core, Watson cares deeply for Holmes and Holmes cares deeply for Watson.  It is the male friendship that makes the pair timeless.  And the plot was extremely well put together.  Moriarty not merely as a master criminal, but an extremely crafty war profiteer, how appropriate.  All in all, I really don't think anything could have made this film better, I really loved it and highly recommend it.

Recommendation:  An absolute must see!
Rating: 5 out of  5 Stars
Next Film:  It Could Happen to You (a recent purchase) or Shrek (on list)

March 2019

S M T W T F S
     12
3456789
10111213141516
17181920212223
24252627282930
31      

Syndicate

RSS Atom

Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 4th, 2025 08:33 am
Powered by Dreamwidth Studios