olivia_sutton: (TomBoy)
Posted to movie project blog on:  24 Feb. 2011.
  • Title:  The Blues Brothers
  • Director:  John Landis
  • Date:  1980
  • Studio:  Universal
  • Genre:  Comedy, Musical
  • Cast:  John Belushi, Dan Aykroyd, Carrie Fisher, John Candy, Henry Gibson, Steve Lawrence, Twiggy, Steven Spielburg, Frank Oz, James Brown, Cab Calloway, Ray Charles, Aretha Franklin
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC (Expanded Ed.)
"It's 106 miles to Chicago, we've got a full tank of gas, half a pack of cigarettes, it's dark and we're wearing sunglasses."  -- Elwood
"Hit it!" -- Joliet Jake

"They're not going to catch us, we're on a mission from God."  -- Elwood

"Well, this is definitely Lower Wacker Drive..." -- Elwood

The Blues Brothers is a classic comedy, but it is also filled with great music and excellent musical numbers with some impressive choreography.  The film is a farce or screwball comedy in the best sense -- from small, tiny events, things just snowball, and thus it gets funnier, and funnier, and funnier, as the plot gets more and more outrageous.  Simply, Jake is picked up by his brother, Elwood, from the Joliet State Prison in Illinois, after serving three years for we later find out armed robbery.  The first thing they do is visit The Penguin, a nun.  From her, they find out that the orphanage where they grew up needs $5000.00 to pay back taxes.  Jake and Elwood need to raise the money honestly, so they decide to get their blues band back together and do a few gigs to get the money.  From such tiny events...  First, the boys must find their band mates, who are now mostly in "straight" jobs, or married, or whatever.  Accomplishing that they must find a few gigs.  But, in the mean time, they manage to cross an awful lot of people who end-up wanting them dead, including the police, Jake's ex-girlfriend (Carrie Fisher), the Neo-Nazi party of Illinois (led by Henry Gibson), and a Country-Western singing group called the Good Ole' Boys, who's gig they stole.  This results not only in a triumphant musical number, but quite possibly the best, and the funniest car chase ever filmed.  The film crew bought an entire year's run of retiring police cars to trash in the film.  They also made a deal to film in and destroy a condemned shopping mall that was scheduled for demolition before it was destroyed.

The vast majority of  the film was filmed in and around Chicago, including Waukegan (North of Chicago), and Joliet State Prison (South of Chicago), and a small portion was filmed in Milwaukee.  The final car chase down Lower Wacker Drive, LaSalle Street and Daley plaza is not only fantastically filmed, shot, and executed -- but actually shows off that part of the city well.  (And some of the same locations were also used in Batman Begins / The Dark Knight and are recognizable, esp. if you know downtown Chicago).  The bridge scene, where Joliet Jake manages to avoid driving off a very high expressway bridge, back up, and flips their car, to avoid the Nazis -- and the Nazi's fall right off the bridge, was filmed in Milwaukee.  That's the Horn Bridge (at the time under construction, when I lived in Milwaukee from 1995 to 2002 it had been completed), the tall white building behind the falling car is the First Star Building.  There's a noticeable jump in the film where it moves from Milwaukee to Chicago (you can tell it's Chicago when you spot the Hancock building -- that's a black building with slanting/angled sides).  By the bye, the Sears Tower is the square, black, stacked building -- you can spot it several times in the film.  But what is also special is the shots of  the people, especially in the scenes in Maxwell Street.  And then there's the music.

Credited Music
Shake Your Tail Feather (Created as "Shake your Money Maker")
Soothe Me
Hold One I'm Comin'
Boogie Chillun
Let the Good Times Roll
Your Cheatin' Heart
Anema & Core
I'm Walkin'
Ride of  the Valkyries
Minnie the Moocher -- Performed by Cab Calloway

Uncredited Music
Peter Gunn Theme (Instrumental)
The Old Landmark -- Performed by James Brown
Boom Boom
Think -- Performed by Aretha Franklin
Shake a Tail Feather -- Performed by Ray Charles
Theme from Rawhide -- Performed by The Blues Brothers
Stand by your Man -- Performed by The Blues Brothers
Everybody Needs Somebody to Love -- Performed by The Blues Brothers
Sweet Home Chicago -- Performed by The Blues Brothers
Jailhouse Rock -- Performed by The Blues Brothers

That's more music than the average traditional musical, also the film is almost completely scored, so the film is filled with music.  Great music!  And of course, it's quite enjoyable, funny, fun, and a wild ride from start to finish.

Recommendation:  See it!
Rating:  5 of 5 Stars
Next Film:  Breakfast at Tiffany's
olivia_sutton: (TomBoy)
  • Title:  Austin Powers International Man of Mystery
  • Director:  Jay Roach
  • Date:  1997
  • Studio:  New Line Cinema (et. al.)
  • Genre:  Comedy
  • Cast:  Mike Myers, Elizabeth Hurley, Mimi Rogers, Robert Wagner, Seth Green, Carrie Fisher, Michael York
  • Format:  Color, Widescreen
  • DVD Format:  NTSC, R1  (My DVD is double-sided, widescreen on one side, standard on the other -- I hate that!)

"Now, Mr. Evil..." UN Leader
 
"Doctor Evil, I didn't spend six years in evil medical school to be called Mister, thank you very much." --Doctor Evil

"I'm going to place him in an easily escapable situation involving an overly elaborate and exotic death."  --Doctor Evil
...
"All right guard, begin the unnecessarily slow-moving dipping mechanism." --Doctor Evil
...
"Aren't you going to watch them?  They could get away!" --Scott Evil
 
"No, no, no, no, I'm going to leave them alone, and not actually witness them dying, I'm just going to assume it all went to plan.  What?" --Doctor Evil.

The first and best of  the three Austin Powers movies -- it's also a fantastic parody of  the James Bond franchise (Esp. Dr. No and Goldfinger), the Matt Helm series (The Silencers, Funeral in Berlin, etc -- and yes, unfortunately I did have to look that up), Our Man Flint/In Like Flint, and The Ipcress File and it's sequels.  Plus TV shows like The Avengers and Laugh-In.  (Yes, the scene breaks with the dancing and psychedelic background come from TV's Laugh-In) But the movie is also a fish out of water story, and even a bit of a romance.  Plus it features a lot of great music and I really wish the soundtrack was available, even though I have about half the music already.

Austin Powers features what you'd expect in a parody of  James Bond films - sight gags and clever word play, such as the name of  Michael York's "M"-like character - "Basil Exposition", which is a great name for the guy who explains what's going on and gives Austin his assignment.  One thing Austin Powers does particularly well is play on the sexual innuendo of the James Bond films but often visually, using suggestive objects to cover a "naked" Austin or Vanessa in the background.  And then there's "Alotta Fagina" - Number Two's confidential secretary.  But seriously, is "Alotta Fagina" any worse than "Pussy Galore" from one of  the Bond films?  And where many of the Bond films have been rated R -- Austin Powers is rated PG-13.

Austin is Britain's number one secret agent (or International Man of Mystery, as the film calls him) in the 1960s, but when his nemesis, Dr. Evil escapes by freezing himself, Austin also has himself  frozen.  When Dr. Evil returns in 1997 - Austin is woken up as well.  Both Austin and Dr. Evil have trouble adjusting to the 90s.  Dr. Evil has trouble coming up with a plan to bribe the world -- since many of the plans he comes up with have already happened.  Austin's extravagant look and sexually-charged behaviour don't fit in, either.  Austin flirts with Ms. Kensington (Elizabeth Hurley), the daughter of  his old partner Mrs. Kensington (played by Mimi Rogers in a black leather cat suit as a wonderful reference to Mrs. Peel of  The Avengers), but she is having nothing of his sexual references that, really, could almost be called harrassment, though Austin doesn't know any better.  Gradually, Austin learns and also wins over Ms. Vanessa Kensington.

Meanwhile, Dr. Evil has his own troubles, trying to get to know his teenaged/young twenty-something son, Scott (Seth Green).  They even give group therapy a try and the therapist is Carrie Fisher!

As Austin is adjusting to life in the 90s, he's sent to Las Vegas with Vanessa to undercover Virtucon - Dr. Evil's lair, headed by Number Two, played by Robert Wagner.  In Las Vegas, Austin starts to realize just how out of step he is with the times, as Vanessa gets angry at him for sleeping with Alotta, and bar-hoppers poke fun at his outfit.  The scene that really defines Austin is as he's sitting alone in his hotel room, trying to catch-up -- he puts a CD on a record player, and of course it scratches.  He makes a list of  famous friends of his, all of whom are dead, he even sits and watchs a videotape of  great events of  the last thirty years that he missed.  Vanessa catches the melancholy Austin and they make-up and go after Dr. Evil at his lair.

Dr. Evil's plan, of sending a missle to the core of the earth causing every volcano on the planet to erupt - comes straight from Dr. No, as does the costumes and set -- the James Bond parody of the movie (that and Dr. Evil's white Persian cat in the opening sequence).  While trying to stop Dr. Evil, Austin and Vanessa are caught and escape.  They split up and Austin encounters the Fembots (which I actually loved!), Austin defeats the Fembots with a strip tease of  his own - both funny, and kinda' neat (neither Austin nor Mike Myers are on the Top Ten sexiest men list, now are they?) - yet, sexy.  But, I also loved how Vanessa actually trusted Austin enough to believe him.

In the end, Austin actually marries Vanessa -- another great thing about this flim.  I mean, seriously, does James Bond ever marry the women he messes around with?  (With the exception of  On Her Majesty's Secret Service -- and the girl, Bonanza-like, dies immediately)  And the relationship between Vanessa and Austin is an important part of the film.  Also important, is the dysfunctional relationship between Dr. Evil and Scott Evil.

Vanessa, her mother, and even Frau Farbissina, are also all strong, professional women - portrayed wonderfully.

Overall, Austin Powers International Man of Mystery is a fun film to watch.  I've seen it several times and always enjoy it.  There are several great lines.  The cast, including the cameo cast, is brilliant, and, personally, I also enjoyed the "Swinging 60s" music.  When watching the film, be sure to watch all of the credits to catch Mike Myer's "BBC One" music video.

Recommendation:  See it!
Rating:  5 Stars (out of 5)
Next Film:  Austin Powers:  The Spy Who Shagged Me

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